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''Lecturer:'' [[Max Neupert]]<br /> | ''Lecturer:'' [[Max Neupert]]<br /> | ||
''Credits:'' 6 [[ECTS]], 4 [[SWS]]<br /> | ''Credits:'' 6 [[ECTS]], 4 [[SWS]]<br /> | ||
''Date:'' Thursday, 13:30 until | ''Date:'' Thursday,<br /> | ||
Group I 13:00 until 15:30 h<br /> | |||
Group II 15:30 until 18:00 h<br /> | |||
''Venue:'' [[Marienstraße 7b]], Room 204<br /> | ''Venue:'' [[Marienstraße 7b]], Room 204<br /> | ||
''First meeting:'' 20.10.2011 | ''First meeting:'' 20.10.2011 | ||
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To assign this class you must have an affinity to music, you should be able to develop a concept and imagine a workflow with a digital tool. You should not be afraid of learning how to make software prototypes with [[Pure Data]]. | To assign this class you must have an affinity to music, you should be able to develop a concept and imagine a workflow with a digital tool. You should not be afraid of learning how to make software prototypes with [[Pure Data]]. | ||
Course language will be English (except everyone speaks | Course language will be English (except everyone speaks German then it will be in German.. obviously). | ||
===German description=== | ===German description=== | ||
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Eine besondere Affinität zu Musik, die Fähigkeit ein Konzept zu entwerfen und das Arbeiten an einem digitalen Werkzeug ist Vorraussetzung für die Teilnahme an diesem Kurs. | Eine besondere Affinität zu Musik, die Fähigkeit ein Konzept zu entwerfen und das Arbeiten an einem digitalen Werkzeug ist Vorraussetzung für die Teilnahme an diesem Kurs. | ||
Kurssprache ist im Zweifelsfall Englisch. | |||
== | ==Documentation== | ||
* [[/ | * [[/Projects/]] | ||
==Admission requirements== | ==Admission requirements== | ||
| Line 44: | Line 45: | ||
==Syllabus== | ==Syllabus== | ||
# 20.10.11 Intro lecture, examples. Basic vocabulary: [[wikipedia:Sampling rate]], [[wikipedia:Audio bit depth]], [[wikipedia:Interlaced video]], [[wikipedia:Frame rate]] | # 20.10.11 Intro lecture, examples. Basic vocabulary: [[wikipedia:Sampling rate]], [[wikipedia:Audio bit depth]], [[wikipedia:Interlaced video]], [[wikipedia:Frame rate]] | ||
# 27.10.11 | # 27.10.11 Pure Data Introduction | ||
# 03.11.11 | # 03.11.11 recap | ||
# | # 09.11.11 '''Wednesday 17:00''' Patching Circle | ||
# 17.11.11 | # 17.11.11 | ||
# 24.11.11 | # 24.11.11 | ||
| Line 54: | Line 55: | ||
# 05.01.12 | # 05.01.12 | ||
# 12.01.12 | # 12.01.12 | ||
# 19.01.12 no class | |||
# 21.01.12 Saturday 13:30h-16:45 Individual [[/Consultations/]] | |||
# 26.01.12 | # 26.01.12 | ||
# 02.02.12 | # '''02.02.12 presentations 13:30h''' | ||
# 31.03.12 documentation sumbission deadline | |||
==Literature== | ==Literature== | ||
| Line 62: | Line 66: | ||
==Links== | ==Links== | ||
* [[Pure Data - Getting started]] | * [[Pure Data - Getting started]] | ||
* [https://mg.medien.uni-weimar.de/mailman/listinfo/insync | * [https://mg.medien.uni-weimar.de/mailman/listinfo/insync Mailinglist of the class] | ||
* [[Audiovision Linkliste]] | * [[Audiovision Linkliste]] | ||
* [[Media:Audiovideo.zip]] Example files | * [[Media:Audiovideo.zip]] Example files | ||
* [[Video tools]] Software Tools | |||
[[Category:WS11]] | [[Category:WS11]] | ||
[[Category:Max Neupert]] | [[Category:Max Neupert]] | ||
[[Category:Fachmodul]] | [[Category:Fachmodul]] | ||
Latest revision as of 12:19, 26 January 2012
Fachmodul
Lecturer: Max Neupert
Credits: 6 ECTS, 4 SWS
Date: Thursday,
Group I 13:00 until 15:30 h
Group II 15:30 until 18:00 h
Venue: Marienstraße 7b, Room 204
First meeting: 20.10.2011
Description
How does video perform as an augmentation to musical expression? Will samplesbanks become audiovisual? Will musicians adopt and use it? How? This class researches audiovisual aesthetic properties in the real-time domain. We learn the basics of coding in Pure Data and how to create and handle audiovisual sample material. We sketch up how music software could become audiovisual. This class will include a cooperation with the Fraunhofer Institute for Digital Media Technology. To assign this class you must have an affinity to music, you should be able to develop a concept and imagine a workflow with a digital tool. You should not be afraid of learning how to make software prototypes with Pure Data.
Course language will be English (except everyone speaks German then it will be in German.. obviously).
German description
Wie verhält sich Video als eine Erweiterung einer musikalischem Darbietung? Werden Sample-Bibliotheken audiovisuell? Werden Musiker diese Möglichkeiten annehmen und wenn ja, wie? Dieser Kurs erforscht die ästetischen Eigenschaften und Möglichkeiten audiovisueller Echtzeitanwendungen. Wir lernen die Grundlagen der Programmierung in Pure Data und wie audiovisuelles Samplematerial erstellt und verarbeitet wird. Der Kurs wird eine Zusammenarbeit mit dem Fraunhofer IDMT beinhalten. Eine besondere Affinität zu Musik, die Fähigkeit ein Konzept zu entwerfen und das Arbeiten an einem digitalen Werkzeug ist Vorraussetzung für die Teilnahme an diesem Kurs.
Kurssprache ist im Zweifelsfall Englisch.
Documentation
Admission requirements
motivation and prerequisits
Registration procedure
Please send your application by email with the Subject In Sync to: max.neupert (at) uni-weimar.de
- Name, Surname
- program and semester (Studienprogramm und Fachsemester)
- matriculation number (Matrikelnummer)
- Angabe der geltenden Prüfungsordnung
- Valid email address @uni-weimar.de (no other mailing addresses will be accepted) Why?
- Short(!) motivational letter (I want to participate because...)
Leistungsnachweis
Aktive Teilnahme, Präsentation, künstlerische Prüfung, Dokumentation, Eintrag im Wiki.
Eligible participants
Graduates enrolled in the Faculties of Media, Gestaltung and in the MediaArchitecture program
Syllabus
- 20.10.11 Intro lecture, examples. Basic vocabulary: wikipedia:Sampling rate, wikipedia:Audio bit depth, wikipedia:Interlaced video, wikipedia:Frame rate
- 27.10.11 Pure Data Introduction
- 03.11.11 recap
- 09.11.11 Wednesday 17:00 Patching Circle
- 17.11.11
- 24.11.11
- 01.12.11
- 08.12.11
- 15.12.11
- 05.01.12
- 12.01.12
- 19.01.12 no class
- 21.01.12 Saturday 13:30h-16:45 Individual Consultations
- 26.01.12
- 02.02.12 presentations 13:30h
- 31.03.12 documentation sumbission deadline
Literature
- Puckette, Miller: The Theory and Technique of Electronic Music ISBN 981-270077-3 Online Version
- Kreidler, Johannes: Loadbang ISBN 978-3-936000-57-3 Online Version (english, deutsch, español)
- Farnell, Andy: Designing Sound ISBN 0-262-01441-6 obiwannabe.co.uk on Archive.org Code examples
- Zimmer, Fränk: Bang: Pure Data ISBN 3-936000-37-9
- Chung, Bryan WC: Multimedia Programming with Pure Data ISBN 1782164642 source
- Brinkmann, Peter: Making Musical Apps – Real-time audio synthesis on Android and iOS ISBN 978-1-4493-1490-3 (e-Book ISBN 978-1-4493-1489-7 )
- Barkl, Michael: Composition: Pure Data as a Meta-Compositional Instrument ISBN 3838316479
- Matsumura, Sei: Pd Recipe Book ― Pure Data ではじめるサウンドプログラミング ISBN 978-4-86100-780-4
- Miyama, Chikashi: Pure Data チュートリアル&リファレンス ISBN 978-4862671424
- Lyon, Eric: Designing Audio Objects for Max/MSP and Pd ISBN 978-0-89579-715-5
- Hillerson, Tony: Programming Sound with Pure Data: Make Your Apps Come Alive with Dynamic Audio ISBN 978-1-93778-566-6
Links
- Pure Data - Getting started
- Mailinglist of the class
- Audiovision Linkliste
- Media:Audiovideo.zip Example files
- Video tools Software Tools