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“Fog” (working title) will likely take the form of an immersive/interactive audio-visual installation that explores the ethereal, low-lying “fog” that envelops Weimar and the surrounding landscape during the early morning. Through a series of filmed experiments in the countryside, I hope to challenge the “real-time” experience of the fog as it inundates and subsequently dissipates within the landscape. Eventually, I hope to produce work that mines and playfully manipulates the spatial and temporal dimensions of this phenomenon and the environment in which it occurs. In addition to collecting footage from a variety of rural settings around Weimar, I will also conduct a series of experiments using artificially generated/man-made fog, and explore air (in its many forms) as a material/medium with which which to create work. | “Fog” (working title) will likely take the form of an immersive/interactive audio-visual installation that explores the ethereal, low-lying “fog” that envelops Weimar and the surrounding landscape during the early morning. Through a series of filmed experiments in the countryside, I hope to challenge the “real-time” experience of the fog as it inundates and subsequently dissipates within the landscape. Eventually, I hope to produce work that mines and playfully manipulates the spatial and temporal dimensions of this phenomenon and the environment in which it occurs. In addition to collecting footage from a variety of rural settings around Weimar, I will also conduct a series of experiments using artificially generated/man-made fog, and explore air (in its many forms) as a material/medium with which which to create work. | ||
==[[Ivo Santos]]: O Príncipe com orelhas de Burro== | ==[[Ivo Santos]]: [[/O Príncipe com orelhas de Burro/]]== | ||
[[File:Implementation-1.jpg|thumb|caption]] | |||
Translated “The Prince with Donkey ears” is a tale about a Prince that was given donkey years at his birth by a very wise fairy after two other ones turn him into the most beautiful and smart prince in the World. | Translated “The Prince with Donkey ears” is a tale about a Prince that was given donkey years at his birth by a very wise fairy after two other ones turn him into the most beautiful and smart prince in the World. | ||
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He soon turned into a young boy and his beard started growing so he had to go to the Barber. | He soon turned into a young boy and his beard started growing so he had to go to the Barber. | ||
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== Sebastian Prince and Júlia Palao: [[/Windows!/]] == | |||
[[File:ventanas1.jpg|thumb|windows]] | |||
Wir wollen eine Projektion an der grauen Wand des Universitäts Bibliotheks machen. Da werden wir eine Gebaude gestalten mit Videos verschiedene Venstern. Die Geräusche und Bewegungen der Leute auf der Straße beeinflussen die Videos der Fenstern. | |||
We would like to do a projection in the grey wall of the university library. To do this project we are going to take some videos in the west part of weimar in this way we want to show the "other" part of weimar and play with the idea of steriotypes of the city. The movements of the people in the streets influence or affect the video through puredata. | |||
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==Regina: Titel == | |||
Project 1 | |||
[[File:Audio to text.jpg|thumb|caption]] | |||
If there was a universal language it probably would be music. In my project I treat this thesis literally by creating a patch witch transforms an analog audio input into text. | |||
Project 2 | |||
Water is one of the most important elements. But the worldwide ressources contain an increasing potential for conflict. Based on these developements I want to primarily create a film with narrative aspects which plays with extreme close-ups of liquids - predominantly “normal” piped water - in all its appearances. | |||
Latest revision as of 12:12, 10 January 2018
Michael Kugler: Fog
“Fog” (working title) will likely take the form of an immersive/interactive audio-visual installation that explores the ethereal, low-lying “fog” that envelops Weimar and the surrounding landscape during the early morning. Through a series of filmed experiments in the countryside, I hope to challenge the “real-time” experience of the fog as it inundates and subsequently dissipates within the landscape. Eventually, I hope to produce work that mines and playfully manipulates the spatial and temporal dimensions of this phenomenon and the environment in which it occurs. In addition to collecting footage from a variety of rural settings around Weimar, I will also conduct a series of experiments using artificially generated/man-made fog, and explore air (in its many forms) as a material/medium with which which to create work.
Ivo Santos: O Príncipe com orelhas de Burro
Translated “The Prince with Donkey ears” is a tale about a Prince that was given donkey years at his birth by a very wise fairy after two other ones turn him into the most beautiful and smart prince in the World.
As he grew up his ears grew bigger and bigger so the King an Queen decided to cover them with a custom made hat. Unaware of his deformity, the prince became arrogant as his courtiers praised him as the most handsome and smart boy in the kingdom.
He soon turned into a young boy and his beard started growing so he had to go to the Barber.
Sebastian Prince and Júlia Palao: Windows!
Wir wollen eine Projektion an der grauen Wand des Universitäts Bibliotheks machen. Da werden wir eine Gebaude gestalten mit Videos verschiedene Venstern. Die Geräusche und Bewegungen der Leute auf der Straße beeinflussen die Videos der Fenstern.
We would like to do a projection in the grey wall of the university library. To do this project we are going to take some videos in the west part of weimar in this way we want to show the "other" part of weimar and play with the idea of steriotypes of the city. The movements of the people in the streets influence or affect the video through puredata.
Regina: Titel
Project 1
If there was a universal language it probably would be music. In my project I treat this thesis literally by creating a patch witch transforms an analog audio input into text.
Project 2
Water is one of the most important elements. But the worldwide ressources contain an increasing potential for conflict. Based on these developements I want to primarily create a film with narrative aspects which plays with extreme close-ups of liquids - predominantly “normal” piped water - in all its appearances.