GMU:Urban Development Kit/Kinoki-Pi-Project: Difference between revisions

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==concept==
==concept==


The concept of this project is based so far on two terms. On the one hand the term of the [http://en.wikipedia.org/wiki/Dziga_Vertov#Cine-Eye Kinoglaz] as it is described by Dziga Vertov in the quotation at the beginning of this page. For Vertov the mechanical eye of the camera allows us an objective view on our environment that is detached from our own bodily limitation and capacity as humans. On the Other hand the Metaphor of the [http://en.wikipedia.org/wiki/Panopticism panopticon] as the perfect apparatus of social surveillance Michel Foucault describes in  „Discipline and Punish: The Birth of the Prison”  
The concept of this project is based so far on two terms. On the one hand the term [http://en.wikipedia.org/wiki/Dziga_Vertov#Cine-Eye kinoglaz] as it is described by Dziga Vertov in the quotation at the beginning of this page. For the russian avantgardist the mechanical eye of the camera allows us an objective view on our environment that is detached from our own bodily limitation and capacity as humans. And on the other hand the metaphor of the [http://en.wikipedia.org/wiki/Panopticism panopticon] as the perfect apparatus of social surveillance Michel Foucault describes in  „Discipline and Punish: The Birth of the Prison”  


We have written down our ideas and the background in a concept. You can download it [[media:here.pdf|here]]. At the moment it is only available in German.
You can read and download the concept [[media:here.pdf|here]]. At the moment it is only available in German.


==prototyp==
==prototyp==
Line 21: Line 21:
==start recording==
==start recording==


After we finished to program the Pi and got used to the Command-Line-Feeling we started to record looking for aesthetic kadrage in the garden.  
After we finished to program the Pi and got used to the Command-Line-Feeling we started to record looking for aesthetic structures in the garden.  


[[File:Action01.jpg|200px]] [[File:Action02.jpg|200px]]  [[File:Action03.jpg|200px]] [[File:RaspiStill01.png|200px]]
[[File:Action01.jpg|200px]] [[File:Action02.jpg|200px]]  [[File:Action03.jpg|200px]] [[File:RaspiStill01.png|200px]]
[[File:RaspiStill02.png|236px]]
==next step: „NeunSieben”==
„NeunSieben” is the idea to create a surveillance situation in public space. Therefore we chose the the Marienstraße, where our workspace is located. A fixed installed KinokiBot monitors the street down to the M5, where the GMU rooms are located. We will use a window in the ground floor of the M7 to present the monitoring of the surveillance camera to the public. An arrow on the sideway helps to draw attention to the monitor behind the window.
[[file:NeunSiebenOSMAP.png|190px]] [[file:NeunSieben01.png|200px]]
[[file:NeunSiebenDoku01.png|200px]]
[[file:NeunSiebenDoku03.png|200px]]
[[file:NeunSiebenDoku04.png|200px]]
[[file:NeunSiebenDoku08.png|190px]]
[[file:NeunSiebenDoku07.png|190px]]
[[file:NeunSiebenDoku05.png|190px]]
[[file:NeunSiebenDoku06.png|190px]]
            <videoflash type="vimeo">81346901|500|280</videoflash>
== further thoughts: "SCW"==
In the city of Weimar [http://www.belvedere-express.de/webcams there] are two public available "surveillance" cameras in public space. Actually they are not regular "surveillance" cameras as these are not for any safety purpose in the first place. They seemed to be more a tourist kind of stuff.
[[File:2013-11-05-14-38-image.jpg|100px]]
[[File:2013-11-05-14-39-image.jpg|100px]]
[[File:2013-11-05-14-40-image.jpg|100px]]
[[File:2013-11-05-14-42-image.jpg|100px]]
[[File:2013-11-05-14-43-image.jpg|100px]]
[[File:2013-11-05-14-44-image.jpg|100px]]
[[File:2013-11-05-14-46-image.jpg|100px]]
[[File:2013-11-05-14-47-image.jpg|100px]]
[[File:2013-11-05-14-49-image.jpg|100px]]
Klick [http://webcam-markt.belvedere-express.de/image.jpg?1383660476 here] for a sole view on the market place.
==aesthetic meditation/ material study==
<videoflash type="vimeo">81348623|500|280</videoflash>
== pure data patches==
[[media:color_reader.pd|Diagrams]] reads the colors of an image or a video in order to create a diagramm from the recieved information.


==links==
==links==


[http://ctrlspace.zkm.de/d/ Exhibition on Surveillance in the zkm]


==literature==
''art''
 
* [http://www.koener.de/suburbsofthevoid.htm suburbs of the void] by Thomas Köner
* [http://www.bcchang.com/art/insecuritycamera/index.php (In)Security Camera]by Ben Chang, Silvia Ruzanka, Dmitry Strakovsky
* [http://www.simonmenner.com/pages/Stasi-Index.htm Images from the Secret Stasi Archives] by Simon Menner
* [http://www.chrisoakley.com/the-catalogue The Catalogue] by Chris Oakley
* [http://www.ubermatic.org/?p=221 Life: A User's Manual] by Michelle Teran
* [http://www.jamespatten.com/cfd/ Corporate Fallout Detector] by James Patten
* [http://s-77ccr.org/about.php System-77] and [http://makrolab.ljudmila.org/ Makrolab] by Marko Peljhan
* [http://www.francisalys.com/online/nightwatch.html The Nightwatch] by Francis Alys
*[http://doc.ycam.jp/work/index_en.html Desire of Codes] by Misami Seiko


Bauman, Zygmunt (2003): Flüchtige Moderne. Frankfurt am Main: Suhrkamp.
''articles''


Debord, Guy (1978): Gesellschaft des Spektakels. Hamburg: Nautilus.
* [http://www.arte.tv/de/videokontrolle-in-der-medienkunst/765396,CmC=796112.html Arte - Videokontrolle in der Medienkunst]
* [http://ctrlspace.zkm.de/d/ Rhetorik der Überwachung - von Bentham bis Big Brother]: An Exhibition (2000) on Surveillance in the zkm


Foucaul, Michel (2010): Überwachen und Strafen. Die Geburt des Gefängnisses. Frankfurt am Main: Suhrkamp.
==literature==


Vertov, Dziga (1973): Schriften zum Film. München: Hanser.
* Bauman, Zygmunt (2003): Flüchtige Moderne. Frankfurt am Main: Suhrkamp.
* Debord, Guy (1978): Gesellschaft des Spektakels. Hamburg: Nautilus.
* Foucaul, Michel (2010): Überwachen und Strafen. Die Geburt des Gefängnisses. Frankfurt am Main: Suhrkamp.
* Vertov, Dziga (1973): Schriften zum Film. München: Hanser.
*Kammerer, Dieter (2008): Bilder der Überwachung. Suhrkamp

Latest revision as of 01:25, 9 December 2013

kinoki-pi-project

“I'm an eye. A mechanical eye. I, the machine, show you a world the way only I can see it. I free myself for today and forever from human immobility. I'm in constant movement. […] Freed from the boundaries of time and space, I co-ordinate any and all points of the universe, wherever I want them to be. My way leads towards the creation of a fresh perception of the world.”

The Kinoki-Pi-Project is seeking for a medial interface between esthetic meditation and systematic surveillance of society. Therefore we will create and use different artifacts to deal with the meaning of visual observation in urban spaces and landscapes.

concept

The concept of this project is based so far on two terms. On the one hand the term kinoglaz as it is described by Dziga Vertov in the quotation at the beginning of this page. For the russian avantgardist the mechanical eye of the camera allows us an objective view on our environment that is detached from our own bodily limitation and capacity as humans. And on the other hand the metaphor of the panopticon as the perfect apparatus of social surveillance Michel Foucault describes in „Discipline and Punish: The Birth of the Prison”

You can read and download the concept here. At the moment it is only available in German.

prototyp

For our surveillance devices we used a raspberry pi microcomputer combined with a camera module. This is how the first prototype looked like:

Prototyp01.jpg Prototyp02.jpg

You want to build your own surveillance device with a raspberry pi + a camera module? Take a look at our „DIY Manual”!

start recording

After we finished to program the Pi and got used to the Command-Line-Feeling we started to record looking for aesthetic structures in the garden.

Action01.jpg Action02.jpg Action03.jpg RaspiStill01.png RaspiStill02.png

next step: „NeunSieben”

„NeunSieben” is the idea to create a surveillance situation in public space. Therefore we chose the the Marienstraße, where our workspace is located. A fixed installed KinokiBot monitors the street down to the M5, where the GMU rooms are located. We will use a window in the ground floor of the M7 to present the monitoring of the surveillance camera to the public. An arrow on the sideway helps to draw attention to the monitor behind the window.

NeunSiebenOSMAP.png NeunSieben01.png NeunSiebenDoku01.png NeunSiebenDoku03.png NeunSiebenDoku04.png NeunSiebenDoku08.png NeunSiebenDoku07.png NeunSiebenDoku05.png NeunSiebenDoku06.png


            <videoflash type="vimeo">81346901|500|280</videoflash>

further thoughts: "SCW"

In the city of Weimar there are two public available "surveillance" cameras in public space. Actually they are not regular "surveillance" cameras as these are not for any safety purpose in the first place. They seemed to be more a tourist kind of stuff.

2013-11-05-14-38-image.jpg 2013-11-05-14-39-image.jpg 2013-11-05-14-40-image.jpg 2013-11-05-14-42-image.jpg 2013-11-05-14-43-image.jpg 2013-11-05-14-44-image.jpg 2013-11-05-14-46-image.jpg 2013-11-05-14-47-image.jpg 2013-11-05-14-49-image.jpg

Klick here for a sole view on the market place.

aesthetic meditation/ material study

<videoflash type="vimeo">81348623|500|280</videoflash>

pure data patches

Diagrams reads the colors of an image or a video in order to create a diagramm from the recieved information.

links

art

articles

literature

  • Bauman, Zygmunt (2003): Flüchtige Moderne. Frankfurt am Main: Suhrkamp.
  • Debord, Guy (1978): Gesellschaft des Spektakels. Hamburg: Nautilus.
  • Foucaul, Michel (2010): Überwachen und Strafen. Die Geburt des Gefängnisses. Frankfurt am Main: Suhrkamp.
  • Vertov, Dziga (1973): Schriften zum Film. München: Hanser.
  • Kammerer, Dieter (2008): Bilder der Überwachung. Suhrkamp