GMU:The Conceptual Sensor/Your name here: Difference between revisions

Latest revision as of 11:26, 10 February 2016

Markéta Filipová

PART 0 /// THE NOTES

PART 1 /// NOTEBOOK THAT PLAYS

Assignment - Improbable switch - I created several variants of conductive
paper/notebook/postcard, which play by writing or drawing on them with
a graphite pencil. I used the conductivity of graphite and tried to work
with classical artistic technique of drawing, upgrading it by plugging
the components to an electrical circuit with a speaker (555 timer/monostable mode).

PART 2 /// EXPERIMENT

Assigment - Variable resistance - I went on with the idea of playing
paper/drawing/painting and I tried different techniques like graphite,
salty watercolor, potato stamp, different shapes of the graphite nets.

PART 3 /// THE PERSONAL QUIET

Assigment - My own project - I tuned the sound of my 555 monostable mode
circuit on my own tinnitus tone, that I can hear in my right ear. Than I created
series of soft graphite drawings, that can be connected to the electric circuit.
The sound of the drawings can be modified by touching it.

I worked with several different ideas in this project:
1/ piece of art generating a sound by itself, using its own physical properties
2/ inviting the spectator to touch the very personal piece of art, giving him or her
the possibility to change the condition of the artwork for a little while. Letting
the drawings live their own life, getting dirty, maybe destroyed by being
touched by many people.
3/ connecting two different and contrasting sides of artwork - personal and
almost spiritual aspect of lacking the real silence and very technical solution
of connecting the drawing to the electric circuit.

FOR THE HD QUALITY GO TO vimeo.com: https://vimeo.com/149007500

PART 4 /// ELECTRONIC REMAIN PAINTING

I saved the old cartridges from printers we found in a trash, I found out
that there is still a usable amount of inks inside the cartridges that can
be used as a watercolor paint. I broke the cartridges, washed out all the
ink carefully and made a pure CMYK paintings inspired by the worlds
biggest precious metals mines.

@@ Line 1: / Line 1: @@
 == Markéta Filipová ==
-Part 1
+PART 0 /// ''THE NOTES''
-''The notebook that plays''
-[[File:marketa_filipova1.JPG]]
+[[File:notes1.jpg]][[File:notes2.jpg]][[File:notes3.jpg]][[File:notes4.jpg]][[File:notes5.jpg]][[File:notes6.jpg]]
+PART 1 /// ''NOTEBOOK THAT PLAYS''
+Assignment - ''Improbable switch'' - I created several variants of conductive <br>paper/notebook/postcard, which play by writing or drawing on them with <br>a  graphite pencil. I used the conductivity of graphite and tried to work <br>with classical artistic technique of drawing, upgrading it by plugging <br>the components to an electrical circuit with a speaker (555 timer/monostable mode).
+[[File:notebook1.jpg]][[File:notebook2.jpg]][[File:notebook3.jpg]][[File:notebook4.jpg]][[File:notebook5.jpg]][[File:notebook6.jpg]]
+[[File:notebook7.jpg]]
+PART 2 /// ''EXPERIMENT''
+Assigment - ''Variable resistance'' - I went on with the idea of playing <br>paper/drawing/painting and I tried different techniques like graphite,<br> salty watercolor, potato stamp, different shapes of the graphite nets.
+[[File:resistence1.jpg]][[File:resistence2.jpg]][[File:resistence3.jpg]][[File:resistence4.jpg]][[File:resistence5.jpg]][[File:resistence6.jpg]][[File:resistence7.jpg]]
+PART 3 /// ''THE PERSONAL QUIET''
+Assigment - ''My own project'' - I tuned the sound of my 555 monostable mode<br> circuit on my own tinnitus tone, that I can hear in my right ear. Than I created <br>series of soft graphite drawings, that can be connected to the electric circuit. <br>The sound of the drawings can be modified by touching it.
+I worked with several different ideas in this project: <br>
+/ piece of art generating a sound by itself, using its own physical properties <br>
+/ inviting the spectator to touch the very personal piece of art, giving him or her <br>the possibility to change the condition of the artwork for a little while. Letting <br>the drawings live their own life, getting dirty, maybe destroyed by being <br>touched by many people. <br>
+/ connecting two different and contrasting sides of artwork - personal and <br>almost spiritual aspect of lacking the real silence and very technical solution<br> of connecting the drawing to the electric circuit.
+FOR THE HD QUALITY GO TO vimeo.com:
+https://vimeo.com/149007500
+[[File:draving4.jpg]][[File:draving5.jpg]][[File:drawing6.jpg]][[File:drawing7.jpg]][[File:draving0.jpg]]
+PART 4 /// ''ELECTRONIC REMAIN PAINTING''
+I saved the old cartridges from printers we found in a trash, I found out <br>that there is still a usable amount of inks inside the cartridges that can <br>be used as a watercolor paint. I broke the cartridges, washed out all the <br>ink carefully and made a pure CMYK paintings inspired by the worlds <br>biggest precious metals mines.<br>
+[[File:remains1_rsz.jpg]]
+[[File:remains2_rsz.jpg]]
+[[File:paint1.jpg]][[File:paint2.jpg]][[File:paint3.jpg]][[File:paint4.jpg]]