IFD:AudioLABI: Difference between revisions

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[[Category:Fachmodul|Fachmodul]]<br/>
[[Category:Fachmodul|Fachmodul]]<br/>
[[:Category:Fachmodul|Fachmodul]]<br/>
[[:Category:Fachmodul|Fachmodul]]<br/>
AudioLAB I: Multidimensionale Aspekte der Live Elektronik durch die Anwendung<br />von drahtlosen Sensoren, Tangible User Interfaces, und digitale Schnittstellen<br />''AudioLAB I: Multidimensional Aspects of Live Electronics through the Applicaiton<br />of Wireless Sensors, Tangible User Interfaces and Digital Interfaces''<br />
AudioLAB I: Multidimensionale Aspekte der Live Elektronik durch die Anwendung<br />von drahtlosen Sensoren, Tangible User Interfaces, und digitale Schnittstellen<br />''AudioLAB I: Multidimensional Aspects of Live Electronics through the Application<br />of Wireless Sensors, Tangible User Interfaces and Digital Interfaces''<br />
''Instructor:'' [[Jason Reizner]], Dr. Teresa Carrasco, with the assistance of Pablo Silva Saray, Amy Barnett and Chloe Yoon<br/>
''Instructor:'' [[Jason Reizner]], Dr. Teresa Carrasco, with the assistance of Amy Barnett, Chloe Yoon and Pablo Silva Saray.<br/>
''Credits:'' 6 [[ECTS]], 4 [[SWS]]<br/>
''Credits:'' 6 [[ECTS]], 4 [[SWS]]<br/>
''Capacity:'' max. 15 students<br/>
''Capacity:'' max. 15 students<br/>
Line 13: Line 13:
Das Modul beschäftig sich sowohl mit der Techniken, als auch mit den Performative Aspekten und Aufführungspraxis der Live Elektronik. Auf der Suche nach neuen und experimentellen Wege Musik zu kreieren und interpretieren möchten wir eine Arbeits- und Musikgruppe gründen die sich regelmässig trifft, mit den Ziel eine neue und innovative Art und Weise der Elektroakustische Musik zu präsentieren.
Das Modul beschäftig sich sowohl mit der Techniken, als auch mit den Performative Aspekten und Aufführungspraxis der Live Elektronik. Auf der Suche nach neuen und experimentellen Wege Musik zu kreieren und interpretieren möchten wir eine Arbeits- und Musikgruppe gründen die sich regelmässig trifft, mit den Ziel eine neue und innovative Art und Weise der Elektroakustische Musik zu präsentieren.
Schwerpunkte:
Schwerpunkte:
Angewandte Techniken der Live Elektronik
*Angewandte Techniken der Live Elektronik
Drahtlose Sensorik angewandt auf Klanggestaltung und Multikanal Performance
*Drahtlose Sensorik angewandt auf Klanggestaltung und Multikanal Performance
Tangible User Interfaces
*Tangible User Interfaces
Interaktion: Mensch/Maschine/Musik
*Interaktion: Mensch/Maschine/Musik
Physikalische Daten und Kommunikationswege
*Physikalische Daten und Kommunikationswege
Kartierung und Parametrisierung für die Klanggestaltung
*Kartierung und Parametrisierung für die Klanggestaltung
Aufführungspraxis
*Aufführungspraxis


Die Arbeiten münden in verschiedenen Aufführungen während des Wintersemesters 2017/2018.
Die Arbeiten münden in verschiedenen Aufführungen während des Wintersemesters 2017/2018.




This module focuses on the technology, performance and production aspects of live electronics. Examining new and experimental ways to create and interpret music, we will be forming working groups that meet regularly with the goal of presenting new and innovation methods in electroacoustic music.
''This module focuses on the technology, performance and production aspects of live electronics. Examining new and experimental ways to create and interpret music, we will be forming working groups that meet regularly with the goal of presenting new and innovation methods in electroacoustic music.''


Core Themes:
''Core Themes:''
Applied techniques for working with live electronics
*''Applied techniques for working with live electronics''
Wireless sensor technology as applied to sound design and multichannel performance
*''Wireless sensor technology as applied to sound design and multichannel performance''
Tangible User Interfaces
*''Tangible User Interfaces''
Interaction: Humans/Machines/Music
*''Interaction: Humans/Machines/Music''
Physical Data and Communications Systems
*''Physical Data and Communications Systems''
Mapping and Parameterization for sound design
*''Mapping and Parameterization for sound design''
Production Practice
*''Production Practice''


The works created in this module will culminate in performance productions during the Winter Semester 2017/8.
''The works created in this module will culminate in performance productions during the Winter Semester 2017/8.''


==Admission requirements==
==Admission requirements==
Line 42: Line 42:
==Registration procedure==
==Registration procedure==
Candidates from Media Art and Design MFA Program:<br />Preliminary registration will take place at the faculty-wide enrollment event on Tuesday, 10. October from 11:00 until 13:00 in the Geschwister-Scholl-Straße 7.<br/><br/>
Candidates from Media Art and Design MFA Program:<br />Preliminary registration will take place at the faculty-wide enrollment event on Tuesday, 10. October from 11:00 until 13:00 in the Geschwister-Scholl-Straße 7.<br/><br/>
Candidates from other programs:<br />Preliminary registration is conducted by sending an email with your name, matriculation number and a statement outlining your motivation for taking this module, as well as your background, technical competences and current areas of research, to terera.carrasco.garcia [ät] uni [minus] weimar.de<br/><br/>
Candidates from other programs:<br />Preliminary registration is conducted by sending an email with your name, matriculation number and a statement outlining your motivation for taking this module, as well as your background, technical competences and current areas of research, to teresa.carrasco.garcia [ät] uni [minus] weimar.de<br/><br/>
'''All candidates:<br />Formal registration will take place at the close of the first class meeting. In the event there are more interested participants than available capacity, candidates will be selected on the basis of their technical, aesthetic and conceptual aptitude.'''
'''All candidates:<br />Formal registration will take place at the close of the first class meeting. In the event there are more interested participants than available capacity, candidates will be selected on the basis of their technical, aesthetic and conceptual aptitude.'''


Line 54: Line 54:


==Syllabus (subject to change)==
==Syllabus (subject to change)==
To be announced
___ |25.10.17 | ___ <br/>
*'''AudioLab presentation''' <br/>
*Organizational <br/>
''Groups. (5 x 3 students)''<br/>
''Tasks''<br/>
''Planning''<br/>
*'''Topic 1. LightBlue Bean + '''<br/>
''Materials: '''AUDIOLAB KIT'''<br/>''
 
<br/>
 
___ | 01.11.2017 | ___ <br/>
'''AUDIOLAB JAM'''<br/>
18:00 - 20:00<br/>
 
<br/>
 
___ |08.11.2017 | ___ <br/>
'''Topic 2. Sensors'''<br/>
 
<br/>
 
___ |15.11.2017 | ___ <br/>
'''Topic 3. Ultrasonic distance sensor, HC-SR04. Distance measurement on AudioVisual performance by Wavetable synthesis and Jitter examples'''<br/>
<br/>
AudioLAB Rehearsal<br/>
 
<br/>
 
___ |29.11.2017 | ___ <br/>
'''Topic 4. Introducction to robotics: Servo motors, aleatorik und
algorithmische music'''<br/>
https://diyhacking.com/hexapod-walker-raspberry-pi/<br/>
Marco Ciciliani, Christian Faubel<br/>
http://www.markociciliani.de/archive/intersection.html<br/>
https://vimeo.com/189931805<br/>
<br/>
AudioLAB Rehearsal<br/>
 
<br/>
 
___ |06.12.2017 | ___ <br/>
'''AUDIOLAB JAM'''<br/>
18:00 - 20:00<br/>
 
<br/>
 
___ |13.12.2017 | ___ <br/>
'''Topic 5. MPU-6050 module 3-axis analog gyro sensor + Acceleration sensor for live electronics performance. Live transformation and live spatialization'''<br/>
<br/>
AudioLAB Rehearsal<br/>
 
<br/>
 
___ |09-10-11.01.2018 | ___ <br/>
AudioLAB Rehearsal<br/>
 
<br/>
___ |12.01.2018 | ___ <br/>
AudioLAB Rehearsal in ERFURT<br/>
 
<br/>
 
 
___ |13.01.2018 | ___ <br/>
'''CONCERT in ERFURT'''<br/>
 
<br/>
 
___ |24.01.2018 | ___ <br/>
Groups present their own project
'''CONCEPT FOR ABSCHLUSSKONZERT'''<br/>
AudioLAB Rehearsal<br/>
 
<br/>
 
___ |12-13-14-15.02.2018 | ___ <br/>
AudioLAB Rehearsal<br/>
 
<br/>
 
___ |16.02.2018 | ___ <br/>
'''AUDIOLAB ABSCHLUSSKONZERT'''<br/>
Time/Space to confirm<br/>
 
<br/>
<br/>
 
==Getting Ready - Software==
 
___ | 25.10.17 | ___
 
*Punch Through
https://punchthrough.com/bean/docs/guides/everything-else/downloads/
 
*Arduino (V. 1.6.6)
https://www.arduino.cc/en/Main/OldSoftwareReleases
 
*Pure Data
https://puredata.info/downloads
 
*Max/MSP
https://cycling74.com/downloads
 
*Reaper
https://www.reaper.fm/download.php
 
*MIDI Monitor
https://www.snoize.com/MIDIMonitor/
 
*Processing
https://processing.org/download/
 
 
==Reference==
 
*Light Bluebean Reference
https://punchthrough.com/bean/reference
 
*Bean Arduino Firmware
https://punchthrough.com/files/bean/arduino-core-docs/1.8.0-beta1/class_bean_class.html
 
*Arduino Reference
https://www.arduino.cc/en/Reference/HomePage
 
<br />
<br />
 
==Circuits - Sensors - Motors==
 
___ | 08.11.17 | ___
 
*What is a Circuit
https://learn.sparkfun.com/tutorials/what-is-a-circuit
 
*Voltage, Current, Resistance, and Ohm's Law
https://learn.sparkfun.com/tutorials/voltage-current-resistance-and-ohms-law
 
*Series and Parallel Circuits
https://learn.sparkfun.com/tutorials/series-and-parallel-circuits
 
*Resistors
https://learn.sparkfun.com/tutorials/resistors<br />
4 Band Resistor Color Code Calculator: https://www.digikey.com/en/resources/conversion-calculators/conversion-calculator-resistor-color-code-4-band
 
*Voltage Dividers
https://learn.sparkfun.com/tutorials/voltage-dividers
 
*Ohm's Law
http://www.physicsclassroom.com/class/circuits/Lesson-3/Ohm-s-Law
 
How to Use a Breadboard
https://learn.sparkfun.com/tutorials/how-to-use-a-breadboard
<br />
<br />
'''Using a Thermistor'''<br />
https://learn.adafruit.com/thermistor/using-a-thermistor
<br />
<br />
 
___ | 15.11.17 | ___<br />
<br />
'''Using a Ultrasonic Sensor'''<br />
http://randomnerdtutorials.com/complete-guide-for-ultrasonic-sensor-hc-sr04/<br />
http://www.micropik.com/PDF/HCSR04.pdf<br />
http://www.elecfreaks.com/store/download/product/Sensor/HC-SR04/HC-SR04_Ultrasonic_Module_User_Guide.pdf<br />
<br />
http://howtomechatronics.com/tutorials/arduino/ultrasonic-sensor-hc-sr04/<br />
 
<br />
NewPing Library<br />
http://playground.arduino.cc/Code/NewPing<br />
https://bitbucket.org/teckel12/arduino-new-ping/wiki/Home<br />
<br />
 
___ | 29.11.17 | ___<br />
<br />
'''Using a Servomotor'''<br />
Servo Motor: Basics, Theory & Working Principle: <br />
https://circuitdigest.com/article/servo-motor-basics<br />
SG90 9 g Micro Servo: <br />
http://www.micropik.com/PDF/SG90Servo.pdf<br />
Knob: <br />
https://www.arduino.cc/en/Tutorial/Knob<br />
Using an FSR:<br />
https://learn.adafruit.com/force-sensitive-resistor-fsr/using-an-fsr<br />
<br />
https://static.rcgroups.net/forums/attachments/3/0/1/8/a4228312-146-user38_pic55606_1294883044.gif<br />
<br />
<br />
<br />
 
___ |13.12.2017 | ___ <br />
'''Ultrasonic Sensro + Button'''<br />
(See material Section)
<br />
'''MPU-6050 module 3-axis analog gyro sensor + Acceleration sensor'''<br />
 
==Material==
<br />
___ | 15.11.17 | ___<br />
'''Using a Ultrasonic Sensor'''<br />
(Click on Image)<br />
[[File:171115_UltrasonicSetup.jpg]]
 
___ | 29.11.17 | ___<br />
'''Servomotor + Knob steup'''<br />
(Click on Image)<br />
[[File:171129_Servomotor.jpg]]<br />
'''Servomotor + FSR steup'''<br />
(Click on Image)<br />
[[File:171129_Servomotor_FSR2.jpg]]
 
___ | 13.12.17 | ___<br />
'''Using a Ultrasonic Sensor + Button setup'''<br />
(Click on Image)<br />
[[File:171213_Ultrasonic_Button.jpg]]

Latest revision as of 17:27, 13 December 2017


Fachmodul
AudioLAB I: Multidimensionale Aspekte der Live Elektronik durch die Anwendung
von drahtlosen Sensoren, Tangible User Interfaces, und digitale Schnittstellen
AudioLAB I: Multidimensional Aspects of Live Electronics through the Application
of Wireless Sensors, Tangible User Interfaces and Digital Interfaces
Instructor: Jason Reizner, Dr. Teresa Carrasco, with the assistance of Amy Barnett, Chloe Yoon and Pablo Silva Saray.
Credits: 6 ECTS, 4 SWS
Capacity: max. 15 students
Language: Deutsch/English
Date: Mittwoch/Wednesday, 17:00-20:00
Location: Coudraystrasse 13a, Room 011
First Meeting: 25.10.2017

Description

Das Modul beschäftig sich sowohl mit der Techniken, als auch mit den Performative Aspekten und Aufführungspraxis der Live Elektronik. Auf der Suche nach neuen und experimentellen Wege Musik zu kreieren und interpretieren möchten wir eine Arbeits- und Musikgruppe gründen die sich regelmässig trifft, mit den Ziel eine neue und innovative Art und Weise der Elektroakustische Musik zu präsentieren. Schwerpunkte:

  • Angewandte Techniken der Live Elektronik
  • Drahtlose Sensorik angewandt auf Klanggestaltung und Multikanal Performance
  • Tangible User Interfaces
  • Interaktion: Mensch/Maschine/Musik
  • Physikalische Daten und Kommunikationswege
  • Kartierung und Parametrisierung für die Klanggestaltung
  • Aufführungspraxis

Die Arbeiten münden in verschiedenen Aufführungen während des Wintersemesters 2017/2018.


This module focuses on the technology, performance and production aspects of live electronics. Examining new and experimental ways to create and interpret music, we will be forming working groups that meet regularly with the goal of presenting new and innovation methods in electroacoustic music.

Core Themes:

  • Applied techniques for working with live electronics
  • Wireless sensor technology as applied to sound design and multichannel performance
  • Tangible User Interfaces
  • Interaction: Humans/Machines/Music
  • Physical Data and Communications Systems
  • Mapping and Parameterization for sound design
  • Production Practice

The works created in this module will culminate in performance productions during the Winter Semester 2017/8.

Admission requirements

Instructor permission

Registration procedure

Candidates from Media Art and Design MFA Program:
Preliminary registration will take place at the faculty-wide enrollment event on Tuesday, 10. October from 11:00 until 13:00 in the Geschwister-Scholl-Straße 7.

Candidates from other programs:
Preliminary registration is conducted by sending an email with your name, matriculation number and a statement outlining your motivation for taking this module, as well as your background, technical competences and current areas of research, to teresa.carrasco.garcia [ät] uni [minus] weimar.de

All candidates:
Formal registration will take place at the close of the first class meeting. In the event there are more interested participants than available capacity, candidates will be selected on the basis of their technical, aesthetic and conceptual aptitude.

Evaluation

Successful completion of the course is dependent on regular attendance, active participation, completion of weekly assignments and delivery of a relevant semester project. Please refer to the Evaluation Rubric for more details.

Eligible participants

Fachmodul:
MFA Medienkunst/-gestaltung, MFA Media Art and Design, MSc MediaArchitecture

Syllabus (subject to change)

___ |25.10.17 | ___

  • AudioLab presentation
  • Organizational

Groups. (5 x 3 students)
Tasks
Planning

  • Topic 1. LightBlue Bean +

Materials: AUDIOLAB KIT


___ | 01.11.2017 | ___
AUDIOLAB JAM
18:00 - 20:00


___ |08.11.2017 | ___
Topic 2. Sensors


___ |15.11.2017 | ___
Topic 3. Ultrasonic distance sensor, HC-SR04. Distance measurement on AudioVisual performance by Wavetable synthesis and Jitter examples

AudioLAB Rehearsal


___ |29.11.2017 | ___
Topic 4. Introducction to robotics: Servo motors, aleatorik und algorithmische music
 https://diyhacking.com/hexapod-walker-raspberry-pi/
Marco Ciciliani, Christian Faubel
http://www.markociciliani.de/archive/intersection.html
https://vimeo.com/189931805

AudioLAB Rehearsal


___ |06.12.2017 | ___
AUDIOLAB JAM
18:00 - 20:00


___ |13.12.2017 | ___
Topic 5. MPU-6050 module 3-axis analog gyro sensor + Acceleration sensor for live electronics performance. Live transformation and live spatialization

AudioLAB Rehearsal


___ |09-10-11.01.2018 | ___
AudioLAB Rehearsal


___ |12.01.2018 | ___
AudioLAB Rehearsal in ERFURT



___ |13.01.2018 | ___
CONCERT in ERFURT


___ |24.01.2018 | ___
Groups present their own project CONCEPT FOR ABSCHLUSSKONZERT
AudioLAB Rehearsal


___ |12-13-14-15.02.2018 | ___
AudioLAB Rehearsal


___ |16.02.2018 | ___
AUDIOLAB ABSCHLUSSKONZERT
Time/Space to confirm



Getting Ready - Software

___ | 25.10.17 | ___

  • Punch Through

https://punchthrough.com/bean/docs/guides/everything-else/downloads/

  • Arduino (V. 1.6.6)

https://www.arduino.cc/en/Main/OldSoftwareReleases

  • Pure Data

https://puredata.info/downloads

  • Max/MSP

https://cycling74.com/downloads

  • Reaper

https://www.reaper.fm/download.php

  • MIDI Monitor

https://www.snoize.com/MIDIMonitor/

  • Processing

https://processing.org/download/


Reference

  • Light Bluebean Reference

https://punchthrough.com/bean/reference

  • Bean Arduino Firmware

https://punchthrough.com/files/bean/arduino-core-docs/1.8.0-beta1/class_bean_class.html

  • Arduino Reference

https://www.arduino.cc/en/Reference/HomePage



Circuits - Sensors - Motors

___ | 08.11.17 | ___

  • What is a Circuit

https://learn.sparkfun.com/tutorials/what-is-a-circuit

  • Voltage, Current, Resistance, and Ohm's Law

https://learn.sparkfun.com/tutorials/voltage-current-resistance-and-ohms-law

  • Series and Parallel Circuits

https://learn.sparkfun.com/tutorials/series-and-parallel-circuits

  • Resistors

https://learn.sparkfun.com/tutorials/resistors
4 Band Resistor Color Code Calculator: https://www.digikey.com/en/resources/conversion-calculators/conversion-calculator-resistor-color-code-4-band

  • Voltage Dividers

https://learn.sparkfun.com/tutorials/voltage-dividers

  • Ohm's Law

http://www.physicsclassroom.com/class/circuits/Lesson-3/Ohm-s-Law

How to Use a Breadboard https://learn.sparkfun.com/tutorials/how-to-use-a-breadboard

Using a Thermistor
https://learn.adafruit.com/thermistor/using-a-thermistor

___ | 15.11.17 | ___

Using a Ultrasonic Sensor
http://randomnerdtutorials.com/complete-guide-for-ultrasonic-sensor-hc-sr04/
http://www.micropik.com/PDF/HCSR04.pdf
http://www.elecfreaks.com/store/download/product/Sensor/HC-SR04/HC-SR04_Ultrasonic_Module_User_Guide.pdf

http://howtomechatronics.com/tutorials/arduino/ultrasonic-sensor-hc-sr04/


NewPing Library
http://playground.arduino.cc/Code/NewPing
https://bitbucket.org/teckel12/arduino-new-ping/wiki/Home

___ | 29.11.17 | ___

Using a Servomotor
Servo Motor: Basics, Theory & Working Principle:
https://circuitdigest.com/article/servo-motor-basics
SG90 9 g Micro Servo:
http://www.micropik.com/PDF/SG90Servo.pdf
Knob:
https://www.arduino.cc/en/Tutorial/Knob
Using an FSR:
https://learn.adafruit.com/force-sensitive-resistor-fsr/using-an-fsr

a4228312-146-user38_pic55606_1294883044.gif



___ |13.12.2017 | ___
Ultrasonic Sensro + Button
(See material Section)
MPU-6050 module 3-axis analog gyro sensor + Acceleration sensor

Material


___ | 15.11.17 | ___
Using a Ultrasonic Sensor
(Click on Image)
171115 UltrasonicSetup.jpg

___ | 29.11.17 | ___
Servomotor + Knob steup
(Click on Image)
171129 Servomotor.jpg
Servomotor + FSR steup
(Click on Image)
171129 Servomotor FSR2.jpg

___ | 13.12.17 | ___
Using a Ultrasonic Sensor + Button setup
(Click on Image)
171213 Ultrasonic Button.jpg

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Last modified
This page was last edited on 13 December 2017, at 17:27.