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WEEK 3-4 | |||
== WEEK 3-4 == | |||
''"Dust is ubiquitous, it is everywhere and can become everything, as the sands of the desert or the dust-clogged air of the cities."'' - September 4, 2015 - Centre for Contemporary Art Ujazdowski Castle - kurz / dust | ''"Dust is ubiquitous, it is everywhere and can become everything, as the sands of the desert or the dust-clogged air of the cities."'' - September 4, 2015 - Centre for Contemporary Art Ujazdowski Castle - kurz / dust | ||
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''Talk with Dust, carlier | gebauer, Berlin. 13 March 2020 by Sebastián Díaz Morales'' | ''Talk with Dust, carlier | gebauer, Berlin. 13 March 2020 by Sebastián Díaz Morales'' | ||
https://vimeo.com/406126821 | |||
The philosopher Michael Marder describes dust as an element that transgresses the boundaries between temporal modalities, residing in a non-linear, non-sequential time that collapses the “babel” of past, present, and future. “Eternity is time configured as space, or space indistinguishable from time,” he writes, “and dust is its swirling, rolling, disintegrating, and conglomerating image.” | The philosopher Michael Marder describes dust as an element that transgresses the boundaries between temporal modalities, residing in a non-linear, non-sequential time that collapses the “babel” of past, present, and future. “Eternity is time configured as space, or space indistinguishable from time,” he writes, “and dust is its swirling, rolling, disintegrating, and conglomerating image.” | ||
''Chrome by Esther Urlus'' | ''Chrome by Esther Urlus'' | ||
https://estherurlus.hotglue.me/chrome | |||
In Chrome the images created by this process are ‘amplified’, as if they are viewed through a microscope: a constantly moving noise of grains that forms shapes and outlines. | In Chrome the images created by this process are ‘amplified’, as if they are viewed through a microscope: a constantly moving noise of grains that forms shapes and outlines. | ||
Since dust has so many meanings in terms of historical, political , artistry, I want to work more under this subject. I gathered some dust from different places in my apartment, from bedroom, kitchen, and under my shoes to see the result at the lab. I still don't know whether I could capture the movement of microorganisms in dust or not or what would it be, I am thinking of creating more meanings to the work by using poem - and it might be a micropoem. By micropoem I mean I want to try building small organic alphabets instead of put it later in post productions. | Since dust has so many meanings in terms of historical, political , artistry, I want to work more under this subject. I gathered some dust from different places in my apartment, from bedroom, kitchen, and under my shoes to see the result at the lab. I still don't know whether I could capture the movement of microorganisms in dust or not or what would it be, I am thinking of creating more meanings to the work by using poem - and it might be a micropoem. By micropoem I mean I want to try building small organic alphabets instead of put it later in post productions. | ||