GMU:Speculative Atmospheres II/Cosmo Niklas Schüppel: Difference between revisions

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'''== PLAYBACK - A Place Where Past And Presence Dance =='''
== '''''PLAYBACK - A Place Where Past And Presence Dance''''' ==


'''Speculative Atmospheres ll'''
'''Speculative Atmospheres ll'''
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Furthermore it is a journey to lead the mind into the awareness of its surroundings.
Furthermore it is a journey to lead the mind into the awareness of its surroundings.


 
'''Recording of the final exhibition at ''ACC-Galerie Weimar''. The performance happened within the framework of the ''Winterwerkschau 2022''.'''
https://https://soundcloud.com/nik-cosmo/playbackexhrec/s-9tXqVBjcoPp


In ‘Playback’ a designated place is chosen where the data of natural factors (air quality, temperature, decibel) is collected and its soundscape (the atmospheric sounds) is recorded. The data is made audible in a piece of atmospheric drone-music; here the data of the natural factors determine the aspects of the created sound. This monotonic drone is mixed with the recorded soundscape and is played back to/at the place at a later time. At this later playback-event, the data is collected again and is transcribed into music - live. The participator then can witness the two data-drones (the one from collected and the one from live transcribed natural factors) and the two soundscapes (the pre-recorded one and the one that the place naturally emits) which morph into each other.
In ‘Playback’ a designated place is chosen where the data of natural factors (air quality, temperature, decibel) is collected and its soundscape (the atmospheric sounds) is recorded. The data is made audible in a piece of atmospheric drone-music; here the data of the natural factors determine the aspects of the created sound. This monotonic drone is mixed with the recorded soundscape and is played back to/at the place at a later time. At this later playback-event, the data is collected again and is transcribed into music - live. The participator then can witness the two data-drones (the one from collected and the one from live transcribed natural factors) and the two soundscapes (the pre-recorded one and the one that the place naturally emits) which morph into each other.