Selena Deger: Difference between revisions

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=='''Encapsulated//Encryped'''==
=='''an interpretation of the digital privacy concept through auto-biographical photography practices'''==
[[File:selenade1.png]]


=='''an interpretation of the digital privacy concept through auto-biographical photography practices'''==
=='''abstract'''==


Photography is a relatively new medium of visual expression that also has many contemporary interpretations regarding archiving or even constructing a new identity for the self. Especially auto-biographic photos have become a part of people’s identities with newly emerging online platforms and continuously changing world views of younger people.() The purpose of photography moved from being only memoirs to recall the past to documenting daily life. Unlike past, there is no need to have a special occasion to remember but every day is to be recorded and sometimes shared with others. These archives of nonsignificant moments in life mirror people’s lives and enable them to curate and communicate their (digital)identities. With the paradigm shift in the usage of this medium, photography is democratized even more and started to have a significant effect on social interactions but this also came with many concerns about privacy in online environments. Digital privacy is also a very contemporary subject in everyone’s lives as we are going through a very digitalized era where most of the experiences are converting to online even the social interactions are becoming more and more framed on screens.
Photography is a relatively new medium of visual expression that also has many contemporary interpretations regarding archiving or even constructing a new identity for the self. Especially auto-biographic photos have become a part of people’s identities with newly emerging online platforms and continuously changing world views of younger people. The purpose of photography moved from being only memoirs to recall the past to documenting daily life. Unlike past, there is no need to have a special occasion to remember but every day is to be recorded and sometimes shared with others. These archives of nonsignificant moments in life mirror people’s lives and enable them to curate and communicate their (digital)identities. With the paradigm shift in the usage of this medium, photography is democratized even more and started to have a significant effect on social interactions but this also came with many concerns about privacy in online environments. Digital privacy is also a very contemporary subject in everyone’s lives as we are going through a very digitalized era where most of the experiences are converting to online even the social interactions are becoming more and more framed on screens.




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The final visuals generated by the algorithm, are put into a website format to exhibit them. The first content the user see when the page shows, is the on-site processed images works as covers and changes when the page is refreshed.  
The final visuals generated by the algorithm, are put into a website format to exhibit them. The first content the user see when the page shows, is the on-site processed images works as covers and changes when the page is refreshed.  
[[File:selenade1.png]]


<gallery>  
<gallery>  
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[[File:selenade16.mp4]]
[[File:selenade16.mp4]]
== '''references'''==
''image processing inspirations''
- Coding Train - Pixel Arrays (https://www.youtube.com/watch?v=nMUMZ5YRxHI)
- Sortraits (https://wtracy.gitlab.io/sortraits/)
- Pixel Sorting Article in satyarth.me (http://satyarth.me/articles/pixel-sorting/)
- Kim Assendorf - Pixel Sorting with Threshold Control (https://github.com/kimasendorf/ASDFPixelSort)
''literature''
Barthes, Roland (1981). Camera Lucida: Reflections on Photography, Çev. Richard Howard. New York: Hill and Wang.
Lehtonen, T.-K., Koskinen , lpo, &amp; Kurvinen, E. (n.d.). Mobile Digital Pictures the future of the Postcard . Retrieved September 28, 2022, from http://www2.uiah.fi/~ikoskine/recentpapers/mobile_multimedia/Mobiles_Vienna.pdf
Lury, C. (2007). Prosthetic culture: Photography, memory and Identity. Routledge.
van Dijck, J. (2008). Digital Photography: Communication, Identity, memory. Visual Communication, 7(1), 57–76. https://doi.org/10.1177/1470357207084865