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''DH. It's very hard to describe because it's ineffable. With the Ravel's tree music, for example, I remember drawing the lines fo the tree to the music because it had a weight. You know how a tree has a volume and a weight. I drew it during the music.'' | ''DH. It's very hard to describe because it's ineffable. With the Ravel's tree music, for example, I remember drawing the lines fo the tree to the music because it had a weight. You know how a tree has a volume and a weight. I drew it during the music.'' | ||
''For Rossignol and the others it was the same. When I'm working on it I will play the music constantly. Normally when I work I do not work to msuic. I don't like it as a background because you find you either listen or you don't. It could be trashy music—a little ballet or something, Swan Lake—where you would't be too distracted. But I couldn't, because I would lose the lines of what I was drawing at the moment''< | ''For Rossignol and the others it was the same. When I'm working on it I will play the music constantly. Normally when I work I do not work to msuic. I don't like it as a background because you find you either listen or you don't. It could be trashy music—a little ballet or something, Swan Lake—where you would't be too distracted. But I couldn't, because I would lose the lines of what I was drawing at the moment''<ref>Cytowic, Richard E. Synesthesia: a union of the senses (S. 316)</ref> | ||
==Literatur== | ==Literatur== | ||