GMU:Provokative Architektur/Brian Bixby: Difference between revisions

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== Project Development / at Marianstraße 2 | 12 - 17.12.2012 ==
== Project Development / at Marianstraße 2 | 12 - 17.12.2012 ==


As you can see from my notes one week ago my project has continued to evolve and change. It's been a very inspired week for me - and I've had good conversations that have pushed me towards further exploration of my concept with some of my classmates (Amel, Eleana and Kata) as well as some of the other artists in the exhibition at Marianstrasse 2.  
As you can see from my notes one week ago my project continues to evolve and change. It's been a very inspired, synchronicity filled week for me which included several insightful conversations with my classmates (Amel, Eleana and Kata) as well as some of the other artists in the exhibition at Marianstraße 2.  


One of my biggest break through moments was when I decided to use a peep-hole after a conversation with Eleana in her studio - and later that same evening I was reading from George Grosz's autobiography and he discussed looking thru peep-holes at carnivals as a child and writes that perhaps this inspired him to become an artist. I felt like I had discovered something important - an interesting connection between my research subject, George Grosz, the theme of Lustmord and the medium of the peep-hole as a way to explore these themes in an architectural 3D format.  
One of my biggest break through moments was when I decided to use a peep-hole after a conversation with Eleana in her studio - and later that same evening I was reading from George Grosz's autobiography and he wrote about looking thru peep-holes at carnivals as a child and writes that perhaps this inspired him to become an artist. Here was a clear example of synchronicity, and I had the feeling that I had discovered something important! There are more steps and coincidences involved in this particular discovery - but to keep it short; In the process or pursuing discussions and continuing to read each evening I had pieced together an interesting connection between my research subject, George Grosz, the theme of Lustmord and the medium of the peep-hole as a way to explore these themes in an architectural 3D format.  


Another moment of discovery occurred when I was moving the full body mirror around inside the room. At some point it was rather close to the door and when you looked thru the peek hole you saw the mirror with no reflection of yourself even though you were facing the mirror! Again, I experienced this type of eureka!/wow moment because the feeling was very surreal to see the doorway in the mirror but to not see yourself. I all of a sudden felt transported into some alternate dimension thru this hole in the door.  
Another moment of discovery occurred when I was moving the full body mirror around inside the room with the help of Amel. At some point it was rather close to the door and when I looked thru the peep-hole I saw the mirror with no reflection of myself even though I was facing the mirror! Again, I experienced this type of eureka!/wow moment because the feeling was very surreal to see the doorway in the mirror but not to see myself. All of a sudden I felt transported into some alternate dimension thru this hole in the door. I could imagine a ghost of myself sitting in this empty chair in front of the mirror.


At this point in the process I am feeling really inspired by this project and the directions it has taken me - regardless of how this particular piece is perceived. I feel that I am on the path to creating a substantial piece for this class and a body of work that I can continue to build upon.
I am feeling confident and inspired by this project and the directions it has taken me - and I see this as the beginning of a series of works.


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