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Migrant Workers, | |||
Istanbul, June 1973 | |||
... | |||
Every day about 800 men and women present, sent by the Turkish recruiting office that makes a first selection. They undergo stringent professional testing (skilled workers are faster hiring in Germany that the maneuvers) and a series of medical examinations. | |||
In rooms where the professional examinations were held, there were harrowing scenes everywhere: for example, a mason came from the depths of Anatolia, who had just missed his test (raising a small wall in minutes). "I practice my profession for twenty years in my native village, how do you want me return there now, I am dishonored!". His work did not meet the minimum standard required by the Germans … | |||
Jean Mohr, | |||
03/31/1974, Tribune de Genève | |||
[[Image:15-Körper Raum Stadt.jpg|600px|thumb|left]]<br> | [[Image:15-Körper Raum Stadt.jpg|600px|thumb|left]]<br> | ||
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That migration has affected the both of countries and still it’s affecting. Cultural, political, economical cases cause/provide common productive language in media such as films, music. In Turkey, last 57 years, there have | |||
been produced countless sounds, movies, documentaries, posters, ads etc. | |||
[[Image:16-Körper Raum Stadt.jpg|600px|thumb|left]]<br> | [[Image:16-Körper Raum Stadt.jpg|600px|thumb|left]]<br> | ||
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How do historical events, that deeply effect social memory, becomes subjects of interpretation for artists? | |||
[[Image:17-Körper Raum Stadt.jpg|600px|thumb|left]]<br> | [[Image:17-Körper Raum Stadt.jpg|600px|thumb|left]]<br> | ||
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