EKK:LoFi Sounds in HiFi Spaces/Mind VS Mind

Singers

Two singers, one on each location. Dancers, two on each location plus at least two for video recordings.

People Involved

Marcelo F. Lazcano I'm looking for partners!

Project

The idea is a variation on a theatrical piece I wrote several years ago in which a man gets help from his "future-self" that has come back to give him advice. This version takes on a more psychological approach: A main character (let's name her Lucy for the time being) who suffers from mental disorders/ illnesses such as depression, schizophrenia, and/or Alzheimer's disease. Lucy has an encounter with her mind (second singer), and tries to make sense of her world by interacting with her psyche. At the beginning it is very clear to us as an audience which one is Lucy on which on the psyche, but as the work develops the distinction between the two gets blurry and at the end is up to us to make a decision as to which one is the real Lucy. This is true for the audiences at both location since that for each audience, whoever they see on stage (not projected) will be the real Lucy. The transition to create the blur between the two characters has to be scripted.

My motives

The reason why I would like to embark on a project with this topic is because I have lost relatives to senile dementia and atherosclerosis, and my wife recently lost a cousin who suffered from schizophrenia. The ending of the piece leaves a question for the audience: which one is the real Lucy? I insist on this idea because, as it was the case with my grandmother, perception of reality as we see it, is altered in the troubled mind of a patient, yet every now and then, in the case of the most critically ill ones, there are moments of lucidity in which they recall moments of their youth or crucial events in their lives. These moments are very similar to hallucinations during analgosedation ( high doses of sedatives) experienced by patients. These events might be completely unknown or relatively known to the relatives and after the loved ones have passed, we are left with the questions: where those moments real? where those moments of lucidity a window to the real person, a moment in which they involuntarily reveal to us their most intimate aspects of their being? In my personal opinion, having experienced this situation with my grandmother, and not too long ago, with my father in-law as he was dying and was under heavy sedation, these are beautiful moments in which we find comfort knowing that in the midst of the tragedy, there are some clear remnants of our loved ones present in the psyche and spirit.

Technical Aspects

The singers are in two different locations. The dancers are divided in to two groups and these are assigned a location as well. The contact between Lucy (singer #1) and her mind (singer #2) happens through a video projection on a transparent screen. This way i can make a better use of the space and it will also provide a more dramatic interaction between the two characters. There will also be pre-recorded videos; these represent flashbacks and are to be shot with low fi cameras and with camera motion. Also, the videos projected on location one, will not necessarily be the same as the ones projected on location 2, the reason for this being that as is the case with trying to understand the mind of the patient, we don't fully know or understand what really is going on inside their heads so there is always this element of wondering sparked by our natural curiosity. This element becomes an unanswered question. The singing consists on songs that are performed as written, manipulated at time in real time, and also pre-recorded, altered, and then played back. For real time manipulation I will create (hopefully in collaboration with someone more experienced than me) a PD patch that will include markov chain. Why markov? I considered markov chain to be "without memory" and every event is dependable on the "current state," this is known as Markov Property [1]. So basically I want the technology is somewhat linked to the theme of the piece. I'm planning for latency to be a part of the piece, but i have yet to figure out how. I have not yet decided on a number of channels for audio.

Partners/ Collaborators?

I'm looking for people who have experience with dancers and with theatre.

Sources

1] http://en.wikipedia.org/wiki/Markov_property