Maximilian Götz: Difference between revisions

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== '''Aesthetics of Virtual Matter''' ==
== '''Aesthetics of Virtual Matter''' ==
Construction/Destruction WS22/23 - Documentation by Maximilian Götz
Construction/Destruction WS22/23 - Documentation by Maximilian Götz
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[[File:Bildschirm­foto_2022-11-28_um_10.18.56.png|center|592x592px]]




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Substance without meaning. Data without information. Structure without order. This work invites the viewer to contemplate the aesthetic value of chaos and entropy in information. The patterns presented are a result of the artist's conceptual investigation of noise and have been curated for their visual appeal.
Substance without meaning. Data without information. Structure without order. This work invites the viewer to contemplate the aesthetic value of chaos and entropy in information. The patterns presented are a result of the artist's conceptual investigation of noise and have been curated for their visual appeal.


[[File:Bildschirmfoto 2024-01-24 um 10.59.34.png|thumb]]
[[File:Bildschirmfoto 2024-01-24 um 10.59.34.png|thumb|center|761x761px]]


The final installation consists of Three TubeTVs, a set of headphones and a sitting cushion. The two TVs on the sides display the sequenced Touchdesigner renders while the one in the middle shows continuous static noise. On the headphones you can listen to the Soundtrack. It was exhibited at the Winterwerkschau under the Title, Aesthetics of virtual matter.
The final installation consists of Three TubeTVs, a set of headphones and a sitting cushion. The two TVs on the sides display the sequenced Touchdesigner renders while the one in the middle shows continuous static noise. On the headphones you can listen to the Soundtrack. It was exhibited at the Winterwerkschau under the Title, Aesthetics of virtual matter.