PDCON:Conference/Dissonance Model Toolbox in Pure Data: Difference between revisions
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== DISSONANCE MODEL TOOLBOX IN PURE DATA == | == DISSONANCE MODEL TOOLBOX IN PURE DATA == | ||
Author: Alexandre Porres | |||
This paper discusses the implementation of Psychoacoustic Models of Dissonance and its creative applications. Terhardt’s theory of dissonance perception is a departure point <ref>E. Terhardt, “The concept of musical consonance: A link between music and psychoacoustics”, Music Perception, 1984, Vol.1, pp. 276-295.</ref>, it involves the perceptual attributes of Sharpness, Roughness, Tonalness, Root Relationship & Pitch Commonality. This is part of a PhD research that aims to the development of computational tools for interaction in real-time (live electronics: composition, performance or improvisation) based on a Dissonance Model. | This paper discusses the implementation of Psychoacoustic Models of Dissonance and its creative applications. Terhardt’s theory of dissonance perception is a departure point <ref>E. Terhardt, “The concept of musical consonance: A link between music and psychoacoustics”, Music Perception, 1984, Vol.1, pp. 276-295.</ref>, it involves the perceptual attributes of Sharpness, Roughness, Tonalness, Root Relationship & Pitch Commonality. This is part of a PhD research that aims to the development of computational tools for interaction in real-time (live electronics: composition, performance or improvisation) based on a Dissonance Model. | ||
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This research hasn’t found the entire Pitch Commonality model of Parncutt <ref>R. Parncutt, H. Strasburger, “Applying psychoacoustics in composition: “Harmonic" progressions of "non-harmonic" sonorities”, Perspectives of New Music, 1994, 32 (2), pp. 1-42.</ref> implemented for real time applications, and this has been done on this stage of research. The implementation of the model is described as well as some modifications that expand its capabilities are presented. | This research hasn’t found the entire Pitch Commonality model of Parncutt <ref>R. Parncutt, H. Strasburger, “Applying psychoacoustics in composition: “Harmonic" progressions of "non-harmonic" sonorities”, Perspectives of New Music, 1994, 32 (2), pp. 1-42.</ref> implemented for real time applications, and this has been done on this stage of research. The implementation of the model is described as well as some modifications that expand its capabilities are presented. | ||
== References == | === References === | ||
<references/> | <references/> | ||