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EVALUATION<br> | |||
– regular attendance to classes and active participation through short presentations is mandatory <br> | – regular attendance to classes and active participation through short presentations is mandatory <br> | ||
– development of an individul research project / exhibitable artwork <br> | – development of an individul research project / exhibitable artwork <br> | ||
– documentation of your project on the GMU Wiki | – documentation of your project on the GMU Wiki | ||
<b>LITERATURE<br></b> | |||
ELECTRONIC<br> | |||
Ascott, Roy (1997): Introduction to Consciousness Reframed. In: Leonardo Electronic Almanac vol.5 no.6 (storage)<br> | |||
Banks, David (2011): A Brief Summary of Actor Network Theory. Cyborgology. <br> | |||
Karen Barad: Posthumanist Performativity<br> | |||
Bennett, Jane (2010): Vibrant matter. A political ecology of things. <br> | |||
Stafford beer: Designing Freedom <br> | |||
Thomas Dreher: Kybernetik und die Pioniere der Computerkunst <br> | |||
D. López del Rincón (2012): Rematerialized Tendencies in Media Art? FROM SILICON TO CARBON-BASED ART. In: Sociology and Technoscience: Special Issue: Artefacts. <br> | |||
Ferrando, Francesca (2012): Towards A Posthumanist Methodology. A Statement. In: Frame. Journal For Literary Studies (25.1), S. 9–18. ON Akademia or research Gate<br> | |||
Andy Pickering: The Science of the Unknowable: Stafford Beer's Cybernetic Informatics<br> | |||
Jasia Reichardt: Cybernetic Serendipity: The Computer and the Arts<br> | |||
Thacker, Eugene (2004): Biomedia. Minneapolis: University of Minnesota Press. <br> | |||
BIBLIOTHEK / SEMESTERAPPARAT<br> | |||
Karen Barad: Agentieller Realismus ISBN 978-3518260456 <br> | |||
Rosi Braidotti, The Posthuman ISBN 978-0745641584<br> | |||
Dunne, Anthony; Raby, Fiona: Speculative Everything: Design, Fiction, ans Social Dreaming, ISBN 978-0262019842<br> | |||
George Gessert: Green Light. Toward an art of evolution. ISBN 978-0262014144<br> | |||
Haraway, Donna: Staying with the trouble : making kin in the Chthulucene. ISBN 9780822362142<br> | |||
Haraway, Donna Jeanne (Hg.) (1991): Simians, cyborgs, and women. The reinvention of nature. New York: Routledge. ISBN 1853431397<br> | |||
Hauser, Jens (Hg.) (2008): Sk-interfaces. Exploding borders : creating membranes in art, technology and society. Liverpool: FACT; Liverpool University Press. 1846311497<br> | |||
Landwehr, Kuni: Home Made Bio Electronic Arts: Do-it yourself: Microscopes, Sensors, Sonifications ISBN 978-3856165673 (Introduction)<br> | |||
Ingeborg Reichle: Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art ISBN 978-3211781609 <br> | |||
Meyers, W. (2015): Bio art. London. ISBN 0500239320 <br> | |||
William Myers: Bio Design, ISBN 978-0-87070-952-4<br> | |||
Andrew Pickering: The Cybernetic Brain ISBN 978-0226667904<br> | |||
Salter, Chris (2015): Alien agency. Experimental encounters with art in the making. The MIT Press. (not in library?)<br> | |||
Schubert, Theresa; Adamatzky A: Experiencing the unconventional: science in art. 9814656852<br> | |||
Tsing, Anna Lowenhaupt, The mushroom at the end of the world: on the possibility of life in capitalist ruins. ISBN 9780691162751<br> | |||
Translife : International Triennal of New Media Art. National Art Museum of China. ISBN 9781846317460<br> | |||
LINKS<br> | |||
https://www.uni-weimar.de/kunst-und-gestaltung/wiki/GMU:Bioart_Linkliste | |||
Online archives / Prizes <br> | |||
http://www.badaward.nl/artists-scientists<br> | |||
http://archive.aec.at/prix/ (hybrid art / interactive art)<br> | |||
https://vida.fundaciontelefonica.com/en/projects/vida-16/ (until 2014)<br> | |||
Online Journals / Blogsote<br> | |||
http://www.clotmag.com/ (artist interviews/reviews)<br> | |||
http://www.antennae.org.uk/ (theory, artist presentations)<br> | |||