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IV ''transcript of the drama'' | |||
"He finally managed to breathe in all the hidden beauty of the world he had always longed for, and was even tempted to lick everything he saw, heard, felt and sensed with his tongue or at least touch it with his hand, but he was afraid to do so, because he knew that framed image in which the nightmarish scene of all that existed pulsed with incomprehensible harmony would crumble as if from dust if he did not keep it in a state of some miraculous cohesion with his hypnotic gaze, and therefore did not dare to take his eyes off it any more, or make any movement, even though at that moment, because of everything that was already happening to him and because of everything that was just waiting for him, he felt an irresistible need to sing and thus announce to the whole world how happy he is that he finally escaped his destiny!" | |||
- Branimir Scepanovic "The Mouth Full of Earth" | |||
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V'' see it here'' | |||
Revision as of 08:54, 17 June 2020
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I tabula rasa
During crazy quarantine times I decided to visualise the drawings of mine into a different context and medium, and therefore to create a virtual scenography. I designed objects in 3D surrounding (Rhino), and created a sterile and clean interior.
II new life
New life - more like new surrounding. I implemented separate components (objects) into Unity and gave them materiality (textures, reflectivity, shaders). The light was important, so I was discovering the possibilities of it, as well. The stages of this chapter are shown here:
III i choose you
The whole process and progress is formalized at the end as a virtual scenography that follows the static, previously established interior design and the dinamic quotes of my favorite radio drama (that I was listening at that very same quarantine time) - from the radio on the table, delusional thoughts of a man who is facing his new life are being streamed.
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IV transcript of the drama
"He finally managed to breathe in all the hidden beauty of the world he had always longed for, and was even tempted to lick everything he saw, heard, felt and sensed with his tongue or at least touch it with his hand, but he was afraid to do so, because he knew that framed image in which the nightmarish scene of all that existed pulsed with incomprehensible harmony would crumble as if from dust if he did not keep it in a state of some miraculous cohesion with his hypnotic gaze, and therefore did not dare to take his eyes off it any more, or make any movement, even though at that moment, because of everything that was already happening to him and because of everything that was just waiting for him, he felt an irresistible need to sing and thus announce to the whole world how happy he is that he finally escaped his destiny!"
- Branimir Scepanovic "The Mouth Full of Earth"
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V see it here
https://www.youtube.com/watch?v=BDAe7qHlC-8
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