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==Inspiration for the course== | |||
===Algae blooms=== | |||
Algae blooms in aquatic systems are primarily driven by nutrient pollution from agricultural runoff and wastewater, along with warm temperatures and stagnant water, which create ideal growth conditions. Increased light availability further promotes blooms, while the decomposition of dead algae can deplete dissolved oxygen, leading to hypoxic conditions harmful to aquatic life. Some blooms produce toxins, impacting food safety and water quality, while also disrupting ecosystems and reducing biodiversity. | Algae blooms in aquatic systems are primarily driven by nutrient pollution from agricultural runoff and wastewater, along with warm temperatures and stagnant water, which create ideal growth conditions. Increased light availability further promotes blooms, while the decomposition of dead algae can deplete dissolved oxygen, leading to hypoxic conditions harmful to aquatic life. Some blooms produce toxins, impacting food safety and water quality, while also disrupting ecosystems and reducing biodiversity. | ||
[[File:Screenshot 2024-10-21 at 16.42.16.png|600px|Source: https://www.google.com/search?q=algae+blooms&udm=2]] | [[File:Screenshot 2024-10-21 at 16.42.16.png|600px|Source: https://www.google.com/search?q=algae+blooms&udm=2]] | ||
===Sci-fi film=== | |||
Amfibian man by Vladimir Chebotaryov (1961), https://www.youtube.com/watch?v=hp92l6eh2FA | |||
== | A Soviet science fiction romance film Amphibian Man (Russian: Chelovek-amfibiya) (1962), directed by Vladimir Chebotaryov and Gennadi Kazansky. The film tells the story of Ichthyander, a young man surgically altered by his father to survive underwater. While the film may not evoke far-reaching visions for adults, for the PI, who saw it as a child, it sparked vivid fantasies of water as an additional realm to enrich and diversify one’s life. | ||
==Experiments== | |||
* phosphorus - cyanobacteria (chlamidomonas or klebsormidium) and algae (euglena) | * phosphorus - cyanobacteria (chlamidomonas or klebsormidium) and algae (euglena) | ||
* nitrogen - cyanobacteria (chlamidomonas or klebsormidium) and algae (euglena) | * nitrogen - cyanobacteria (chlamidomonas or klebsormidium) and algae (euglena) | ||
== artistic projects (miga)== | |||
===Under the Water by duo Varvara Guljajeva and Mar Canet (2019)=== | |||
*https://var-mar.info/under-the-water/ | *https://var-mar.info/under-the-water/ | ||
The work features a series of dye sublimation prints on aluminium showing images produced with a machine learning algorithm. Although this work explores machine-generated visuals from data sets of plastic in the ocean, it does neither question the danger of plastics nor data sets behind AI. | The work features a series of dye sublimation prints on aluminium showing images produced with a machine learning algorithm. Although this work explores machine-generated visuals from data sets of plastic in the ocean, it does neither question the danger of plastics nor data sets behind AI. | ||
===Aurelia 1+Hz / Proto Viva Generator by Robertina Šebjanič (2014)=== | |||
*https://robertina.net/aurelia-1hz_proto-viva-generator/ | *https://robertina.net/aurelia-1hz_proto-viva-generator/ | ||
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One of the outcomes, a video piece, features an aquatic ecosystem in contact with human-built objects. As some objects are ignored by fish communities, this work suggests that different species have special needs and preferences that are not necessarily easily foreseen by humans. The researcher explores the optimized environments for the aquatic communities but does it with a limited technical tool, a video camera. | One of the outcomes, a video piece, features an aquatic ecosystem in contact with human-built objects. As some objects are ignored by fish communities, this work suggests that different species have special needs and preferences that are not necessarily easily foreseen by humans. The researcher explores the optimized environments for the aquatic communities but does it with a limited technical tool, a video camera. | ||
===a journey in a mm of water by Eirini Kokkinidou === | |||
*https://drive.google.com/drive/folders/1uUBT0WR32vaEZtcKouGdbsQyQ9PfdiOV | *https://drive.google.com/drive/folders/1uUBT0WR32vaEZtcKouGdbsQyQ9PfdiOV | ||
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scenes, creating a seamless narrative that traces the observant’s | scenes, creating a seamless narrative that traces the observant’s | ||
physical and meditative journey in search of microbial life." | physical and meditative journey in search of microbial life." | ||
Revision as of 15:54, 21 October 2024
Inspiration for the course
Algae blooms
Algae blooms in aquatic systems are primarily driven by nutrient pollution from agricultural runoff and wastewater, along with warm temperatures and stagnant water, which create ideal growth conditions. Increased light availability further promotes blooms, while the decomposition of dead algae can deplete dissolved oxygen, leading to hypoxic conditions harmful to aquatic life. Some blooms produce toxins, impacting food safety and water quality, while also disrupting ecosystems and reducing biodiversity.
Sci-fi film
Amfibian man by Vladimir Chebotaryov (1961), https://www.youtube.com/watch?v=hp92l6eh2FA
A Soviet science fiction romance film Amphibian Man (Russian: Chelovek-amfibiya) (1962), directed by Vladimir Chebotaryov and Gennadi Kazansky. The film tells the story of Ichthyander, a young man surgically altered by his father to survive underwater. While the film may not evoke far-reaching visions for adults, for the PI, who saw it as a child, it sparked vivid fantasies of water as an additional realm to enrich and diversify one’s life.
Experiments
- phosphorus - cyanobacteria (chlamidomonas or klebsormidium) and algae (euglena)
- nitrogen - cyanobacteria (chlamidomonas or klebsormidium) and algae (euglena)
artistic projects (miga)
Under the Water by duo Varvara Guljajeva and Mar Canet (2019)
The work features a series of dye sublimation prints on aluminium showing images produced with a machine learning algorithm. Although this work explores machine-generated visuals from data sets of plastic in the ocean, it does neither question the danger of plastics nor data sets behind AI.
Aurelia 1+Hz / Proto Viva Generator by Robertina Šebjanič (2014)
The work features jellyfish trapped in an (animal unfriendly) simple robotic machine. By employing different sensor mechanisms and aesthetic outputs, the work addresses the possibilities of coexistence of humans, animals and machines. This work converts movements of jellyfish to sound, but does it for visual purposes only without allowing audiences to experience the actual coexistence nor does it listen to the animal.
Fish Architecture – A framework to create Interspecies Spaces by Anja Wegner (2021)
- https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/POM2021.24
- https://www.youtube.com/watch?v=ywnEyO9j9iY
One of the outcomes, a video piece, features an aquatic ecosystem in contact with human-built objects. As some objects are ignored by fish communities, this work suggests that different species have special needs and preferences that are not necessarily easily foreseen by humans. The researcher explores the optimized environments for the aquatic communities but does it with a limited technical tool, a video camera.
a journey in a mm of water by Eirini Kokkinidou
"The installation “A journey in a millimeter of water” is comprised of four different mediums and aims to try and bridge the gap between a human observer and a microorganism, which is 410,000 times smaller. This exploration extends beyond empirical observation, serving as a metaphor for an introspective quest for self-knowledge and existential comprehension."
"The Video projection serves as a memoir of the exploration into the wetlands of Thuringia, where one contemplated on the fantasy of how it would feel to become the other. The traces of these states are shown in the form of moving drawn lines. The Video transitions between different scenes, creating a seamless narrative that traces the observant’s physical and meditative journey in search of microbial life."