GMU:The Conceptual Sensor/Your name here: Difference between revisions

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2/ inviting the spectator to touch the very personal piece of art, giving him or her <br>the possibility to change the condition of the artwork for a little while. Letting <br>the drawings live their own life, getting dirty, maybe destroyed by being <br>touched by many people. <br>
2/ inviting the spectator to touch the very personal piece of art, giving him or her <br>the possibility to change the condition of the artwork for a little while. Letting <br>the drawings live their own life, getting dirty, maybe destroyed by being <br>touched by many people. <br>
3/ connecting two different and contrasting sides of artwork - personal and <br>almost spiritual aspect of lacking the real silence and very technical solution<br> of connecting the drawing to the electric circuit.
3/ connecting two different and contrasting sides of artwork - personal and <br>almost spiritual aspect of lacking the real silence and very technical solution<br> of connecting the drawing to the electric circuit.
[[File:draving4.jpg]][[File:draving5.jpg]][[File:drawing6.jpg]][[File:drawing7.jpg]][[File:draving0.jpg]]

Revision as of 11:30, 17 December 2015

Markéta Filipová

PART 1 /// NOTEBOOK THAT PLAYS

Assignment - Improbable switch - I created several variants of conductive
paper/notebook/postcard, which play by writing or drawing on them with
a graphite pencil. I used the conductivity of graphite and tried to work
with classical artistic technique of drawing, upgrading it by plugging
the components to an electrical circuit with a speaker (555 timer/monostable mode).

Notebook1.jpgNotebook2.jpgNotebook3.jpgNotebook4.jpgNotebook5.jpgNotebook6.jpg Notebook7.jpg



PART 2 /// EXPERIMENT

Assigment - Variable resistance - I went on with the idea of playing
paper/drawing/painting and I tried different techniques like graphite,
salty watercolor, potato stamp, different shapes of the graphite nets.

Resistence1.jpgResistence2.jpgResistence3.jpgResistence4.jpgResistence5.jpgResistence6.jpgResistence7.jpg



PART 3 /// PERSONAL QUIET

Assigment - My own project - I tuned the sound of my 555 monostable mode
circuit on my own tinnitus tone, that I can hear in my right ear. Than I created
series of soft graphite drawings, that can be connected to the electric circuit.
The sound of the drawings can be modified by touching it.

I worked with several different ideas in this project:
1/ piece of art generating a sound by itself, using its own physical properties
2/ inviting the spectator to touch the very personal piece of art, giving him or her
the possibility to change the condition of the artwork for a little while. Letting
the drawings live their own life, getting dirty, maybe destroyed by being
touched by many people.
3/ connecting two different and contrasting sides of artwork - personal and
almost spiritual aspect of lacking the real silence and very technical solution
of connecting the drawing to the electric circuit.

Draving4.jpgDraving5.jpgDrawing6.jpgDrawing7.jpgDraving0.jpg