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The elevation of the left arm (y coordinate) controls the speed of a metronome that generates a fixed frequency subjected to an envelope generator. The elevation of the right arm (y coordinate) controls the feedback of a delay applied to the same source. When the arm is down, there is no delay (feedback=0) when the arm is raised to the maximum the feedback goes up to 0.7. The association of interactions with both arms was supposed to have a really playful effect on the listener who literally controls the "instrument" like a conductor. | The elevation of the left arm (y coordinate) controls the speed of a metronome that generates a fixed frequency subjected to an envelope generator. The elevation of the right arm (y coordinate) controls the feedback of a delay applied to the same source. When the arm is down, there is no delay (feedback=0) when the arm is raised to the maximum the feedback goes up to 0.7. The association of interactions with both arms was supposed to have a really playful effect on the listener who literally controls the "instrument" like a conductor. | ||
[[ | [[Image:subscriber_EColin_1.png]] | ||
I must admit that I was frankly disappointed with the final result but I still want to go further in this direction because the possibilities offered by Max are really impressive and have made me want to devote myself seriously to it. | I must admit that I was frankly disappointed with the final result but I still want to go further in this direction because the possibilities offered by Max are really impressive and have made me want to devote myself seriously to it. |
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