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For the concert, in addition to the jitter audio reactive visuals - that were manipulated in real time -, footage provided by the artist was also used for real time manipulation. The footage, which in part was featured on the first music video of the album, Parapeito Margarina, was then used for juxtapositions, cropping, amongst other real time editing techniques. | For the concert, in addition to the jitter audio reactive visuals - that were manipulated in real time -, footage provided by the artist was also used for real time manipulation. The footage, which in part was featured on the first music video of the album, Parapeito Margarina, was then used for juxtapositions, cropping, amongst other real time editing techniques. | ||
[[File:AVkonzert_video_1.MOV]] | |||
Technically, the sound used for live audio reactivity consisted on a direct input from one of the sound inputs coming from the musician. On the concert, two projectors pointed to the stage were positioned in the room. The consideration of the room in which it was taking place was an important aspect on its positioning placement, and the two projectors were projecting the same video output simultaneously. Although some of the circumstances could be foreseen, as with any live manipulating environment, some aspects of what can happen live go beyond strictly what one can know in advance of what can happen - namely eventual adaptations to technical issues, reaction of the audience, and so forth. For such case, technical preparation and adjustments of the system to the live environment and rehearsals together with the musician were essential for the concert to run smoothly and successfully. | Technically, the sound used for live audio reactivity consisted on a direct input from one of the sound inputs coming from the musician. On the concert, two projectors pointed to the stage were positioned in the room. The consideration of the room in which it was taking place was an important aspect on its positioning placement, and the two projectors were projecting the same video output simultaneously. Although some of the circumstances could be foreseen, as with any live manipulating environment, some aspects of what can happen live go beyond strictly what one can know in advance of what can happen - namely eventual adaptations to technical issues, reaction of the audience, and so forth. For such case, technical preparation and adjustments of the system to the live environment and rehearsals together with the musician were essential for the concert to run smoothly and successfully. | ||
==Final Considerations== | ==Final Considerations== | ||