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→Processual Development of patches
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For the concert in question, also due to time restrictions, a concert for 9 songs was developed with relatively simple manipulation of Graphic objects. The additional altering of colours and specific parameters of the objects, however, already opened a wide range of possibilities. As said, possibilities for increasing such system has also proven itself possible, in ways that the same concert environment might be improved - either in levels of audio control and analysis, as well as further use of graphics effects and objects. The use of Max/MSP/Jitter for such appliances can, by empirical experience, only be recommended, regardless of strong previous background in Max/MSP/Jitter. | For the concert in question, also due to time restrictions, a concert for 9 songs was developed with relatively simple manipulation of Graphic objects. The additional altering of colours and specific parameters of the objects, however, already opened a wide range of possibilities. As said, possibilities for increasing such system has also proven itself possible, in ways that the same concert environment might be improved - either in levels of audio control and analysis, as well as further use of graphics effects and objects. The use of Max/MSP/Jitter for such appliances can, by empirical experience, only be recommended, regardless of strong previous background in Max/MSP/Jitter. | ||
== Processual Development of patches == | == Processual Development of Max/MSP/Jitter patches == | ||
[[Media:191107_jitter_audioreactive.maxpat |1. First Sound Reactivity Attempt]] | [[Media:191107_jitter_audioreactive.maxpat |1. First Sound Reactivity Attempt]] | ||