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GMU:Critical VR Lab II/Kristin Jakubek (view source)
Revision as of 14:27, 29 October 2020
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By playing with these parameters of spoken word the poem is given a unique performative rhythm each time it is heard, which will (re-)shape the poem itself and influence the comprehensibility for the listener. In the process this will reveal to what degree these elements of spoken language play with language and cognition within the poetic genre. | By playing with these parameters of spoken word the poem is given a unique performative rhythm each time it is heard, which will (re-)shape the poem itself and influence the comprehensibility for the listener. In the process this will reveal to what degree these elements of spoken language play with language and cognition within the poetic genre. | ||
This theme of ‘sound research’ i.e. questioning how we hear speech is inspired by Diana Deutsch’s research into ‘Musical Illusions and Phantom words’ | This theme of ‘sound research’ i.e. questioning how we hear speech is inspired by Diana Deutsch’s research into ‘Musical Illusions and Phantom words’ | ||
== Visual concept == | == Visual concept == | ||
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Visual concept outline: | Visual concept outline: | ||
<gallery> | |||
File:Body foldings.jpg | |||
File:Body foldings2.jpg | |||
File:Body foldings3.jpg | |||
File:Body foldings4.jpg | |||
File:Body foldings5.jpg | |||
</gallery> | |||
[[File: | [[:File:Body-steet-foldings_twist_VR.pdf]] | ||
== Process: Integration of Pure Data == | == Process: Integration of Pure Data == | ||