54
edits
Vivi Morais (talk | contribs) No edit summary |
Vivi Morais (talk | contribs) No edit summary |
||
Line 2: | Line 2: | ||
SUSTAINABILITY IN AESTHETICS | SUSTAINABILITY IN AESTHETICS | ||
Art as a medium requires material to be done. Being it physical or digital, being it made on paper or energy, the trace it leaves on the world is more than the poetical/subjective one and in days like these, when we question more and more the exhaustive human impact on the environment, it looks essential to have a less hypocritical attitude. | |||
My point of view on sustainability in aesthetics is pretty literal. Normally, we put the concept above everything in our art practice and, then, if we manage to make it more ecologically right on time (and on budget), it's a plus. So first of all, I guess that to be really committed to sustainability, we have to focus on the practical ecological part as much as we do it with the conceptual phase. | |||
Second, to be sustainable it is needed to be coherent. | |||
Line 44: | Line 42: | ||
Textile production is estimated to be responsible for about 20% of global clean water (pollution | Textile production is estimated to be responsible for about 20% of global clean water (pollution | ||
from dyeing and finishing products). | from dyeing and finishing products). | ||
IDEA 2. BODY ARCHIVE | IDEA 2. BODY ARCHIVE |
edits