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Source: https://www.nationalgeographic.com/science/article/slime-mould-attacks-simulates-tokyo-rail-network | Source: https://www.nationalgeographic.com/science/article/slime-mould-attacks-simulates-tokyo-rail-network | ||
'''<big>Recreating art with slime mold (Project by Hanna Bremerich, Bauhaus Universität Weimar)</big>''' | '''<big>Recreating art with slime mold (Project by Hanna Bremerich, Bauhaus Universität Weimar)</big>''' | ||
With this project I planned on permanently fusing the artwork and the artist together so that they are completely inseparable. Usually the answer to the question of how much of a connection there is between an artist and their work isn't a trivial one. There is no doubt that because of the intention and the process of creating the artwork there is always "a part" of the artist themselves integrated in the painting but mostly it's not always a physical connection and that is exactly what I wanted to achieve: An artwork that is the artist themselves at the same time. | |||
[[File:Sketch Physarum.jpg|thumb|271x271px|Sketch]] | |||
* To start the project I studied the movement of the slime mold during our course "Growing microorganisms for bioart projects" so that I could create a drawing which the slime mold theoretically could create in a similar way. [[File:Fusion1.jpg|thumb|270x270px|Day 1]] | |||
* I prepared plastic dishes with an agar-agar-medium in the dimensions of a A4-sheet | |||
* I placed the oat flakes with Physarum on them in the spots of bigger "blobs" and the food on the spots with that represented the individual flakes | |||
* I checked on the slime mold every day and kept placing new oat flakes onto the same spots every day so that the slime mold would hopefully not move away from the spots resembled in the drawing and would create something similar | |||