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There are separate calls for: | There are separate calls for: | ||
# Concert pieces and Live-electronic pieces for the evening concerts | # [[#The concerts|Concert pieces and Live-electronic pieces for the evening concerts]] | ||
# Live Performances during lunchtime | # [[#Experimental settings during lunchtime|Live Performances during lunchtime]] | ||
# Sound installations and artwork | # [[#(Sound) Installations|Sound installations and artwork]] | ||
Deadline for all submissions: Monday June 13, 2011 | Deadline for all submissions: Monday June 13, 2011 | ||
== The concerts == | == The concerts == | ||
We are seeking works that are interesting as a sonic or musical experience in themselves, due to the composition techniques used, or due to the way the sounds are generated and/or manipulated. They can be playback only (controlled/mixed live by the composer) or performed live, either purely electronically or in combination with traditional instruments (or anything that makes sound). Supporting visuals are also possible. | We are seeking works that are interesting as a sonic or musical experience in themselves, due to the composition techniques used, or due to the way the sounds are generated and/or manipulated. They can be playback only (controlled/mixed live by the composer) or performed live, either purely electronically or in combination with traditional instruments (or anything that makes sound). Supporting visuals are also possible. | ||
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Every submission by regular mail must contain the following: | Every submission by regular mail must contain the following: | ||
* A CD or DVD with the work as is it to be played and/or displayed at the conference. Sound file format can be WAV or AIFF (32 bit float 48 kHz) or Audio-CD (16 bit, 44.1 kHz). Video file format can be ogg-theora, Quicktime, MPEG. | * A CD or DVD with the work as is it to be played and/or displayed at the conference. Sound file format can be WAV or AIFF (32 bit float 48 kHz) or Audio-CD (16 bit, 44.1 kHz). Video file format can be ogg-theora, Quicktime, MPEG. | ||
For multi-channel or ambisonics playback we can accept | For multi-channel or ambisonics playback we can accept as well as single multichannel files or a set of mono files for each channel | ||
* A CD containing a 2-channel downmix of the musical pieces | * A CD containing a 2-channel downmix of the musical pieces | ||
* A short presentation of the work | * A short presentation of the work | ||
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Every submission must contain the following: | Every submission must contain the following: | ||
The work as is it to be played and/or displayed at the conference. Sound file format can be WAV or AIFF (32 bit float 48 kHz). Video file format can be ogg-theora, Quicktime, MPEG. | The work as is it to be played and/or displayed at the conference. Sound file format can be WAV or AIFF (32 bit float 48 kHz). Video file format can be ogg-theora, Quicktime, MPEG. | ||
For multi-channel or ambisonics playback we can accept | For multi-channel or ambisonics playback we can accept as well as single multichannel files or a set of mono files for each channel | ||
* A 2-channel downmix of the musical pieces as MP3, OGG, FLAC, WAV, or AIFF (for multichannel works) | * A 2-channel downmix of the musical pieces as MP3, OGG, FLAC, WAV, or AIFF (for multichannel works) | ||
* A short presentation of the work | * A short presentation of the work | ||
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Please send submissions to bjoern.lindig; CC: max.neupert at the domain uni-weimar.de | Please send submissions to bjoern.lindig; CC: max.neupert at the domain uni-weimar.de | ||
== Sound | == (Sound) Installations == | ||
If you have an installation or any other kind of artwork, e.g. an independent system that produces a music or sound experience for users to listen to, look at and/or interact with during conference hours, please send an e-mail to bjoern.lindig@uni-weimar.de providing the following information: | If you have an installation or any other kind of artwork, e.g. an independent system that produces a music or sound experience for users to listen to, look at and/or interact with during conference hours, please send an e-mail to bjoern.lindig@uni-weimar.de providing the following information: | ||
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Agreement to Conditions of Participation | Agreement to Conditions of Participation | ||
I hereby make the following composition available to the PdCon organisation, to be presented once during the | I hereby make the following composition available to the PdCon organisation, to be presented once during the Pure Data Convention in Weimar, 8-14 August 2011: | ||
Title of composition: ..................................................................................................... | Title of composition: ..................................................................................................... | ||
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Please specify any comments, additional information and requirements w.r.t. equipment here: | Please specify any comments, additional information and requirements w.r.t. equipment here: | ||
I am aware that materials I send to the PdCon will not be returned, and that I will receive no fee from the PdCon whether my work is performed, streamed, or not. I also recognise that the jury's decision is final, and waive my rights to legal action regarding the jury's decision. I accept the terms and conditions presented in this form. | I am aware that materials I send to the PdCon will not be returned, and that I will receive no fee from the PdCon whether my work is performed, streamed, or not. I also recognise that the jury's decision is final, and waive my rights to legal action regarding the jury's decision. I accept the terms and conditions presented in this form. | ||
Date:............................. | Date: ___th of _______ 2011 | ||
Signature: ............................. | |||
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