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PDCON:Conference/Dissonance Model Toolbox in Pure Data (view source)
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== Dissonance model toolbox in Pure Data == | == Dissonance model toolbox in Pure Data == | ||
Author: Alexandre Porres | Author: Alexandre Porres | ||
Download full paper: [[Media:Dissonance Model Toolbox in Pure Data.pdf]] | |||
This paper discusses the implementation of Psychoacoustic Models of Dissonance and its creative applications. Terhardt’s theory of dissonance perception is a departure point <ref>E. Terhardt, “The concept of musical consonance: A link between music and psychoacoustics”, Music Perception, 1984, Vol.1, pp. 276-295.</ref>, it involves the perceptual attributes of Sharpness, Roughness, Tonalness, Root Relationship & Pitch Commonality. This is part of a PhD research that aims to the development of computational tools for interaction in real-time (live electronics: composition, performance or improvisation) based on a Dissonance Model. | This paper discusses the implementation of Psychoacoustic Models of Dissonance and its creative applications. Terhardt’s theory of dissonance perception is a departure point <ref>E. Terhardt, “The concept of musical consonance: A link between music and psychoacoustics”, Music Perception, 1984, Vol.1, pp. 276-295.</ref>, it involves the perceptual attributes of Sharpness, Roughness, Tonalness, Root Relationship & Pitch Commonality. This is part of a PhD research that aims to the development of computational tools for interaction in real-time (live electronics: composition, performance or improvisation) based on a Dissonance Model. | ||
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=== References === | === References === | ||
<references/> | <references/> | ||
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