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Splash0119 (talk | contribs) (/* Q2. American sound artist Bill Fontana made several pieces in which he transfers sound from one location to another. How does this locational switch change our understanding of a the space(s) in question? What new aspects of a sonic environment mi) |
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==Q1. How does the sentence “The medium is the message” by Marshall McLuhan applies to your practice? Comment on this quote in the context of your own work and in regards to this transcontinental collaboration, etc.== | ==Q1. How does the sentence “The medium is the message” by Marshall McLuhan applies to your practice? Comment on this quote in the context of your own work and in regards to this transcontinental collaboration, etc.== | ||
Some points we talked about together: | |||
* The internet-conversations show how the medium changes or way of communicating - we do things we wouldn't normally do (wave our hands etc.) | |||
* Every medium provides a singular approach to reality. In a skype conference our two separated rooms find somehow together and we accept the medium as a our environment. | |||
* We have different approaches in our work: When Jeffrey does Live Engineering, he tries to build a immersive environment that suggests what you hear is what happens on stage (even though the audience could never tell what really happens on the stage). In Ludwigs [https://soundcloud.com/ludwigberger/1959-1 work], he reflects about the medium of sound recording and brakes the illusion of contiunity. | |||
==Q2. American sound artist Bill Fontana made several pieces in which he transfers sound from one location to another. How does this locational switch change our understanding of a the space(s) in question? What new aspects of a sonic environment might emerge? What happens to our perception of a location once it is stripped from its original sounds and these are replaced by sounds from another location?== | ==Q2. American sound artist Bill Fontana made several pieces in which he transfers sound from one location to another. How does this locational switch change our understanding of a the space(s) in question? What new aspects of a sonic environment might emerge? What happens to our perception of a location once it is stripped from its original sounds and these are replaced by sounds from another location?== |
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