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==Technical Aspects== | ==Technical Aspects== | ||
The singer is given a piece of music specifically written for the piece. These songs are then recorded and processed with Max/Msp or PD; the processed versions will then be the part of the projected image (mind) and the original version will be part of the live performance, assigned to the man character. As the piece evolves and the roles switch, the processed sound becomes clearer and the original singing is processed live. The dancers may represent people which the character has known in the past, people she is confusing then with, etc. These characters will not have a specified role, the do not interact verbally with the main character and I'm considering have them wear white makeup or masks. The contact between Lucy (singer #1) and her mind (singer #2) happens through a video projection on a transparent screen. This way i can make a better use of the space and it will also provide a more dramatic interaction between the two characters. | The singer is given a piece of music specifically written for the piece. These songs are then recorded and processed with Max/Msp or PD; the processed versions will then be the part of the projected image (mind) and the original version will be part of the live performance, assigned to the man character. As the piece evolves and the roles switch, the processed sound becomes clearer and the original singing is processed live. The dancers may represent people which the character has known in the past, people she is confusing then with, etc. These characters will not have a specified role, the do not interact verbally with the main character and I'm considering have them wear white makeup or masks. The contact between Lucy (singer #1) and her mind (singer #2) happens through a video projection on a transparent screen. This way i can make a better use of the space and it will also provide a more dramatic interaction between the two characters. | ||
There will also be pre-recorded videos; these represent flashbacks and are to be shot with low fi cameras and with camera motion. Pre recorded, manipulated videos of the performers will be projected and there will also be projections of the dancers in outdoor settings, also manipulated (look at video below). The reason for this being that as is the case with trying to understand the mind of the patient, we don't fully know or understand what really is going on inside their heads so there is always this element of wondering sparked by our natural curiosity. This element becomes an unanswered question: are these images of dancers actual memories or are they images the mind is creating to make sense of its surroundings? | There will also be pre-recorded videos; these represent flashbacks and are to be shot with low fi cameras and with camera motion. Pre recorded, manipulated videos of the performers will be projected and there will also be projections of the dancers in outdoor settings, also manipulated (look at video link below for an "inspiration source"). The reason for this being that as is the case with trying to understand the mind of the patient, we don't fully know or understand what really is going on inside their heads so there is always this element of wondering sparked by our natural curiosity. This element becomes an unanswered question: are these images of dancers actual memories or are they images the mind is creating to make sense of its surroundings? | ||
The singing consists on songs that are performed as written, manipulated at time in real time, and also pre-recorded, altered, and then played back. For real time manipulation I will create (hopefully in collaboration with someone more experienced than me) a PD patch that will include markov chain. Why markov? I considered markov chain to be "without memory" and every event is dependable on the "current state," this is known as '''Markov Property'''<ref>[[wikipedia:Markov property]]</ref>. | The singing consists on songs that are performed as written, manipulated at time in real time, and also pre-recorded, altered, and then played back. For real time manipulation I will create (hopefully in collaboration with someone more experienced than me) a PD patch that will include markov chain. Why markov? I considered markov chain to be "without memory" and every event is dependable on the "current state," this is known as '''Markov Property'''<ref>[[wikipedia:Markov property]]</ref>. | ||
So basically I want the technology is somewhat linked to the theme of the piece. I'm planning for latency to be a part of the piece, but I have yet to figure out how. | So basically I want the technology is somewhat linked to the theme of the piece. I'm planning for latency to be a part of the piece, but I have yet to figure out how. | ||
I have not yet decided on a number of channels for audio. | I have not yet decided on a number of channels for audio. | ||
==Video Link== | |||
Flora Wiegmann, " Riddles in the Sand" (2010). | |||
<videoflash>iQfBRIC4e8M|450|250</videoflash> | |||
==Partners/ Collaborators?== | ==Partners/ Collaborators?== |
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