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→missing looking 1: taubach - Kyd Campbell
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The goal of my work this semester was on coming to a poetic and intuitive way of approaching my artistic practice. Clearly influenced by experimental filmmaker Stan Brakhage and approaching aesthetic experienced as being linked to human physicality as much as psychology I am influenced by works which attempt to bring a viewer near to the realization of their own human existence. Such as the experience of Joseph Beuys felt stack pulling the sound from the ears of every nearby viewer and colour theory as explained by eye physical by Itten and my former professor John Cooper, I am exploring through the mediums of video and recorded sound to create a super-sensory experience. | The goal of '''my work this semester''' was on coming to a poetic and intuitive way of approaching my artistic practice. Clearly influenced by experimental filmmaker Stan Brakhage and approaching aesthetic experienced as being linked to human physicality as much as psychology I am influenced by works which attempt to bring a viewer near to the realization of their own human existence. Such as the experience of Joseph Beuys felt stack pulling the sound from the ears of every nearby viewer and colour theory as explained by eye physical by Itten and my former professor John Cooper, I am exploring through the mediums of video and recorded sound to create a super-sensory experience. | ||
[[File:Example.jpg]][[File:Example.jpg]][[File:Example.jpg]] | |||
While my work from this semester involves a number of exploratory technical works, on the whole, I am interested in exploring time-related breaks between the senses of sight and hearing. | While my work from this semester involves a number of exploratory technical works, on the whole, I am interested in exploring time-related breaks between the senses of sight and hearing. | ||
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I believe there is a sensory gap when one moves in perception between the spaces of micro and macro. In this instance, time and sound are stretched, as the body adjusts to receiving intense macro detail. A journey/passage from one time/space environment to another is an overwhelming experience, a momentary loss of one's self into an aesthetic space, which may be considered cathartic. | I believe there is a sensory gap when one moves in perception between the spaces of micro and macro. In this instance, time and sound are stretched, as the body adjusts to receiving intense macro detail. A journey/passage from one time/space environment to another is an overwhelming experience, a momentary loss of one's self into an aesthetic space, which may be considered cathartic. | ||
It is my goal to turn this phenomena into a public experience, in a future large- | It is my ultimate goal to turn this phenomena into a public experience, in a future large-scale AV performance. | ||
'''Research Resources:''' | |||
- ''Chronology'', Daniel Birnbaum, Lukas & Sternberg, Inc. (2005) | |||
- ''tensions + breaking points : Pancevo Art Salon 2008'' (catalog), Kyd Campbell (2008) | |||
- ''nicht alles tun'', eds. Jens Kastner und Bettina Spörr (2008) | |||
- ''a moving picture giving and taking book'', Stan Brakhage | |||
- ''plunderphonics manifesto'', John Oswald | |||
=== Fühler - [[Jessica Wallstein]]=== | === Fühler - [[Jessica Wallstein]]=== | ||