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[[File:10e-300_03.png|link=https://www.youtube.com/watch?v=gIvfwD4Jnv4|frameless|775px]] | [[File:10e-300_03.png|link=https://www.youtube.com/watch?v=gIvfwD4Jnv4|frameless|775px]] | ||
»10–300« was created as an accompanying computer simulation, | |||
for the show »20.000!« at ACC-Gallery Weimar, a collaborative | |||
exhibition organized by artist Lodewjik Heylen, research | |||
associate Martin Schneider and students of Bauhaus-University. | |||
The gallery flor was filed with 20.000 ball pit balls, ordered by | |||
color before the opening and subsequently brought into chaos by | |||
entering visitors. The balls mix slowly, create patterns, formations | |||
and sequences. The original structure falls apart into visual | |||
chaos, resulting in a flid stream of color. | |||
»10–300« establishes a theoretical parallel to the tangible | |||
installation and demonstrates both correlations and absurdities | |||
in the gap between the virtual and the analog. Dropping 20.000 | |||
balls onto a digital plane, one by one, in exactly the same position, | |||
will result in a perfectly balanced stack. However, the smallest | |||
perturbation — an offset of an enormously tiny magnitude | |||
(10–300) — eventually has considerable impact and results | |||
in the collapse of the stack. | |||
Click here to watch the video loop (07:21min) | |||
<gallery mode="nolines"> | <gallery mode="nolines"> |
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