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Consultations: Wednesdays/Thursdays by appointment <br> | Consultations: Wednesdays/Thursdays by appointment <br> | ||
''Venue:'' [[Marienstraße 7b]], [[Marienstraße 7b/204|Projektraum (Room 204)]]<br> | ''Venue:'' [[Marienstraße 7b]], [[Marienstraße 7b/204|Projektraum (Room 204)]]<br> | ||
Credits: 18 | Credits: 18 [[ECTS]]<br> | ||
[https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=40113&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung| Bison-Portal] | |||
<h2> Art and Biomedia: agencies of being(s)</h2> | <h2> Art and Biomedia: agencies of being(s)</h2> | ||
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==LITERATURE== | ==LITERATURE== | ||
===ELECTRONIC=== | ===ELECTRONIC=== | ||
* Ascott, Roy (1997): Introduction to Consciousness Reframed. In: Leonardo Electronic Almanac vol.5 no.6 (storage) | * Inge Hinterwaldner: Semiconductor's landscapes as sound-sculpted time-based vizualisations. In: Technoetic Arts Journal Vol 11 No1 (2014): https://www.dropbox.com/s/k48f1v93rm93882/Hinterwaldner_semiconductors-landscape_kl.pdf?dl=0 | ||
* Banks, David (2011): A Brief Summary of Actor Network Theory. Cyborgology. https://thesocietypages.org/cyborgology/2011/12/02/a-brief-summary-of-actor-network-theory | * Lisa Jevbratt: Interspecies Collaboration - Making Art Together with Nonhuman Animals: https://www.dropbox.com/s/i32f9b2epr1zlxp/jevbratt_interspecies_collaboration.pdf?dl=0 | ||
* Ascott, Roy (1997): Introduction to Consciousness Reframed. In: Leonardo Electronic Almanac vol.5 no.6 (storage) | |||
* Banks, David (2011): A Brief Summary of Actor Network Theory. Cyborgology. https://thesocietypages.org/cyborgology/2011/12/02/a-brief-summary-of-actor-network-theory | |||
* Karen Barad: Posthumanist Performativity: https://www.uio.no/studier/emner/sv/sai/SOSANT4400/v14/pensumliste/barad_posthumanist-performativity.pdf<br> | * Karen Barad: Posthumanist Performativity: https://www.uio.no/studier/emner/sv/sai/SOSANT4400/v14/pensumliste/barad_posthumanist-performativity.pdf<br> | ||
* Bennett, Jane (2010): Vibrant matter. A political ecology of things. http://film.ncu.edu.tw/word/Vibrant-Matter.pdf | * Bennett, Jane (2010): Vibrant matter. A political ecology of things. http://film.ncu.edu.tw/word/Vibrant-Matter.pdf | ||
* Stafford beer: Designing Freedom: http://ada.evergreen.edu/~arunc/texts/cybernetics/beer/book.pdf | * Stafford beer: Designing Freedom: http://ada.evergreen.edu/~arunc/texts/cybernetics/beer/book.pdf | ||
* Thomas Dreher: Kybernetik und die Pioniere der Computerkunst: http://dreher.netzliteratur.net/4_Medienkunst_Kybernetik.html | * Thomas Dreher: Kybernetik und die Pioniere der Computerkunst: http://dreher.netzliteratur.net/4_Medienkunst_Kybernetik.html | ||
* D. López del Rincón (2012): Rematerialized Tendencies in Media Art? FROM SILICON TO CARBON-BASED ART. In: Sociology and Technoscience. https://www.academia.edu/23515810/Rematerialized_Tendencies_in_Media_Art | * D. López del Rincón (2012): Rematerialized Tendencies in Media Art? FROM SILICON TO CARBON-BASED ART. In: Sociology and Technoscience. https://www.academia.edu/23515810/Rematerialized_Tendencies_in_Media_Art | ||
* Ferrando, Francesca (2012): Towards A Posthumanist Methodology. A Statement. In: Frame. Journal For Literary Studies (25.1), S. 9–18. ON Akademia or research Gate | * Ferrando, Francesca (2012): Towards A Posthumanist Methodology. A Statement. In: Frame. Journal For Literary Studies (25.1), S. 9–18. ON Akademia or research Gate | ||
* Andy Pickering: The Science of the Unknowable: Stafford Beer's Cybernetic Informatics: https://www.asis.org/History/02-pickering.pdf | * Andy Pickering: The Science of the Unknowable: Stafford Beer's Cybernetic Informatics: https://www.asis.org/History/02-pickering.pdf | ||
* Jasia Reichardt: Cybernetic Serendipity: The Computer and the Arts: http://cyberneticserendipity.com/cybernetic_serendipity.pdf | * Jasia Reichardt: Cybernetic Serendipity: The Computer and the Arts: http://cyberneticserendipity.com/cybernetic_serendipity.pdf | ||
* Thacker, Eugene (2004): Biomedia. Minneapolis: University of Minnesota Press. http://www.gbv.de/dms/hbz/toc/ht014270903.pdf | * Thacker, Eugene (2004): Biomedia. Minneapolis: University of Minnesota Press. http://www.gbv.de/dms/hbz/toc/ht014270903.pdf | ||
===BIBLIOTHEK / SEMESTERAPPARAT=== | ===BIBLIOTHEK / SEMESTERAPPARAT=== | ||
* Karen Barad: Agentieller Realismus ISBN 978-3518260456 | * Karen Barad: Agentieller Realismus ISBN 978-3518260456 | ||
* Rosi Braidotti, The Posthuman ISBN 978-0745641584 | * Rosi Braidotti, The Posthuman ISBN 978-0745641584 | ||
* Dunne, Anthony; Raby, Fiona: Speculative Everything: Design, Fiction, ans Social Dreaming, ISBN 978-0262019842 | * Dunne, Anthony; Raby, Fiona: Speculative Everything: Design, Fiction, ans Social Dreaming, ISBN 978-0262019842 | ||
* George Gessert: Green Light. Toward an art of evolution. ISBN 978-0262014144 | * George Gessert: Green Light. Toward an art of evolution. ISBN 978-0262014144 | ||
* Haraway, Donna: Staying with the trouble : making kin in the Chthulucene. ISBN 9780822362142 | * Haraway, Donna: Staying with the trouble : making kin in the Chthulucene. ISBN 9780822362142 | ||
* Haraway, Donna Jeanne (Hg.) (1991): Simians, cyborgs, and women. The reinvention of nature. New York: Routledge. ISBN 1853431397 | * Haraway, Donna Jeanne (Hg.) (1991): Simians, cyborgs, and women. The reinvention of nature. New York: Routledge. ISBN 1853431397 | ||
* Hauser, Jens (Hg.) (2008): Sk-interfaces. Exploding borders : creating membranes in art, technology and society. Liverpool: FACT; Liverpool University Press. 1846311497 | * Hauser, Jens (Hg.) (2008): Sk-interfaces. Exploding borders : creating membranes in art, technology and society. Liverpool: FACT; Liverpool University Press. 1846311497 | ||
* Landwehr, Kuni: Home Made Bio Electronic Arts: Do-it yourself: Microscopes, Sensors, Sonifications ISBN 978-3856165673 (Introduction) | * Landwehr, Kuni: Home Made Bio Electronic Arts: Do-it yourself: Microscopes, Sensors, Sonifications ISBN 978-3856165673 (Introduction) | ||
* Ingeborg Reichle: Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art ISBN 978-3211781609 | * Ingeborg Reichle: Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art ISBN 978-3211781609 | ||
* Meyers, W. (2015): Bio art. London. ISBN 0500239320 | * Meyers, W. (2015): Bio art. London. ISBN 0500239320 | ||
* William Myers: Bio Design, ISBN 978-0-87070-952-4 | * William Myers: Bio Design, ISBN 978-0-87070-952-4 | ||
* Andrew Pickering: The Cybernetic Brain ISBN 978-0226667904 | * Andrew Pickering: The Cybernetic Brain ISBN 978-0226667904 | ||
* Salter, Chris (2015): Alien agency. Experimental encounters with art in the making. The MIT Press. (not in library?) | * Salter, Chris (2015): Alien agency. Experimental encounters with art in the making. The MIT Press. (not in library?) | ||
* Schubert, Theresa; Adamatzky A: Experiencing the unconventional: science in art. 9814656852 | * Schubert, Theresa; Adamatzky A: Experiencing the unconventional: science in art. ISBN 9814656852 | ||
* Tsing, Anna Lowenhaupt, The mushroom at the end of the world: on the possibility of life in capitalist ruins. ISBN 9780691162751 | * Tsing, Anna Lowenhaupt, The mushroom at the end of the world: on the possibility of life in capitalist ruins. ISBN 9780691162751 | ||
* Translife : International Triennal of New Media Art. National Art Museum of China. ISBN 9781846317460 | * Translife : International Triennal of New Media Art. National Art Museum of China. ISBN 9781846317460 | ||
==LINKS== | ==LINKS== | ||
[[GMU:Bioart Linkliste]] | |||
Online archives / Prizes <br> | Online archives / Prizes <br> | ||
http://www.badaward.nl/artists-scientists | * http://www.badaward.nl/artists-scientists | ||
http://archive.aec.at/prix/ (hybrid art / interactive art) | * http://archive.aec.at/prix/ (hybrid art / interactive art) | ||
https://vida.fundaciontelefonica.com/en/projects/vida-16/ (until 2014) | * https://vida.fundaciontelefonica.com/en/projects/vida-16/ (until 2014) | ||
Online Journals / Blogs<br> | Online Journals / Blogs<br> | ||
http://www.clotmag.com/ (artist interviews/reviews) | * http://www.clotmag.com/ (artist interviews/reviews) | ||
http://www.antennae.org.uk/ (theory, artist presentations)<br> | * http://www.antennae.org.uk/ (theory, artist presentations) | ||
Online documentaries / talks | |||
* All Watched Over by Machines of Loving Grace - Episode 2 - The Use and Abuse of Vegetational Concepts: https://vimeo.com/groups/96331/videos/80799352 | |||
* Cybernetic Serendipity, interview with the curator Jasia Reichardt: https://www.youtube.com/watch?v=n8TJx8n9UsA | |||
* Chris Salter | "Alien Agency – Techno-Science, Art and the Limits of Knowing": https://www.youtube.com/watch?v=tgE8V2aPqNg | |||
* Rosi Braidotti: Posthuman, All Too Human? A Cultural Political Cartography: https://www.youtube.com/watch?v=gNJPR78DptA&index=2&list=PL2pUtZKF8QSmLvbU3Qr6FQ5SKUBZf1Lv7 | |||
Bauhaus Notebooks | |||
* Kandinsky: https://www.dropbox.com/s/b5a42s24m3hr7ve/Kandinsky.pdf?dl=0 | |||
* Klee: https://www.dropbox.com/s/9y5fulakx6py2en/Klee.pdf?dl=0 | |||
* Malewitsch: https://www.dropbox.com/s/2asarzrscp5o2d4/Malewitsch.pdf?dl=0 | |||
==STUDENT PRESENTATIONS== | |||
18.10. Fungi and uncertainty, mycorrizhal fungi, WWW (Tamara)<br> | |||
25.10. Plant interactions (artworks by Sommerer & Mignonneau, Tim Knowles, Interspecifics, +1) (> Laura G.)<br> | |||
01.11 Rebecca Horn (bodylandscapes, body extensions 1960s, kinetic objects) (Maike) <br> | |||
15.11. Haraway (cyborg > Chtulucene) (>Frederic)<br> | |||
10.01. Nature & Tech Photography: Dan Holdsworth, Ilkka Halso (Homero) | |||
==STUDENT WORKS == | ==STUDENT WORKS == | ||
* [[/Laura Giraldo/]] | |||
* [[/Tamara Conde/]] | |||
* [[/Frederic Blais-Belanger/]] | |||
* [[/Maike Effenberg/]] | |||
*[[Homero Ruiz]] | |||
==CLASSES== | |||
11 Oktober: Overview, Intro Biomedia Art <br> | 11 Oktober: Overview, Intro Biomedia Art <br> | ||
18 Oktober: Walk 'n' Talk - Forest AND evening lecture <br> | <span style="color: #00af89"> 18 Oktober: Walk 'n' Talk - Forest AND evening lecture <br></span> | ||
25 Oktober: materials & agencies <br> | 25 Oktober: materials & agencies <br> | ||
1 November: Bioart / Art and Science AND evening lecture <br> | <span style="color: #00af89"> 1 November: Bioart / Art and Science AND evening lecture <br></span> | ||
<b>8 November: Vegetal Otherness, Protoyping Tools with GUEST Spela Petric AND evening lecture <br></b> | <b>8 November: Vegetal Otherness, Protoyping Tools with GUEST Spela Petric AND evening lecture <br></b> | ||
15 November: From (Bio)Cybernetics to... New Materialism <br> | <span style="color: #00af89"> 15 November: From (Bio)Cybernetics to... New Materialism AND evening lecture <br></span> | ||
22 November: Nonhuman Intelligence, Analogue Computing | 22 November: Nonhuman Intelligence, Analogue Computing <br> | ||
<b>29 November: Analogue Neural Networks with GUEST Wolfgang Spahn | <b>29 November: Analogue Neural Networks with GUEST Wolfgang Spahn <br></b> | ||
6 Dezember: Posthuman art and design <br> | 6 Dezember: Posthuman art and design AND | ||
13 Dezember: Mid-term presentations | evening lecture (planning for transmediale)<br> | ||
20 Dezember: Posthuman art and design II<br> | <span style="color: #00af89"> 13 Dezember: Mid-term presentations <br></span> | ||
10 Januar: | 20 Dezember: Posthuman art and design II AND evening lecture <br> | ||
<span style="color: #00af89"> | |||
10 Januar: interspecies collaboration + sound-sculpted visualisations (texts by Lisa Jevratt, Steven Shaviro, Inge Hinterwaldner. artworks by Robertina Sebjanic, Maja Smrekar, Lia Girard, Semiconductor) <br></span> | |||
10 Januar afternoon: planning meeting transmediale <br> | |||
17 Januar: data and nature driven | drawing and philosohpy<br> | |||
<span style="color: #00af89"> | |||
24 Januar: presentations AND evening lecture<br></span> | |||
30 Januar- 01 Feb: Excursion Berlin (transmedial et.al) | |||
<br><br> | |||
Final project presentations/delivery: 20 February + | |||