VR project title: The scent of a flower we have not found
Intention
I enrolled in this course because I am especially interested in the idea of the video essay as a means to manipulate already existing video material (primarily found on the digital archives of Youtube) to identify visual similarities, create a new statement, impression or course of events.
The task to translate screen-based, flat, 2D image and video material into an immersive VR environment in a way that feels appropriate, relevant and warrants putting on the VR glasses is challenging.
For the video-essay approach to VR, I considered topics that would full-fill following criteria: (1) Be researchable; (2) Room for subjective view / personal opinion / personal comment; (3) Opportunities for diverse visualisation through different media ( video, still image, audio, interview, 3D models ); (4) Opportunity for audio immersion.
Resulting from a conversation with a friend who works in psychotherapy I settled on the topic of ‚Ketamine therapy‘, a potentially controversial topic, which is currently gaining acceptance as a new way to treat treatment resistant depression. Ketamine has been abused and consequently stigmatised as a recreational party drug. I find the friction between societal condemnation of drug-use, lacking understanding of depression and mental health issues and personal authority concerning drug-use, interesting and something I wanted to research and deal with through video inside a VR experience.
The title ‚THE SCENT OF A FLOWER WE HAVE NOT FOUND‘ comes from a book titled ‚signs of life‘ and is a sensually metaphorical description of desire. The mental image and synaesthesia of scent this sentence conjures up inspired the red-thread of flowers -as memory fragments- that shows up throughout the experience. Overall I see my role for this project as a digital curator who‘s task it is to find visual and audio material, as well as thematic connections and storytelling methods to translate selected artworks into new forms for an immersive VR environment. (Re-inventing them in a new virtual context, while keeping their integrity.)
Overall the VR experience is my subjective interpretation of a Ketamine induced therapeutic trip, an immersive essay on the mental state someone might experience when absolving such an experimental drug trial.
What is immersive space?
An immersive VR experience has the opportunity to go beyond the purely digital by also including further senses. My intention for an exhibition scenario of this VR experience, would be to create a space that includes a chair with a blanket similar to the chair the visitor will be on in the digital experience. In this way, the chair would connect physical and virtual reality. (Preferably inside a clinical space enclosed by curtains (Inspiration: https://tankmagazine.com/tank/2018/03/stine-exhibition/)). I would also control the smell in the room through a soothing scent, both to draw a link to the project title and provoke a more immersive experience. During my research I discovered that a Ketamine-infusion therapy shows some remarkable similarities to a VR set-up that could be emphasised in such an instillation. Namely, patients are seated in a chair, given an eye-mask as well as headphones with soothing music and a blanket. It can be said that the Ketamine-infusion therapy is in itself an immersive experience, as patients receive their infusion and are left to experience an altered world of perception without ever leaving the room.
Self-evaluation
+/- I expected that it would be (more easily) possible to create smooth transition that could morph videos, shapes, 3D models, terrain and scenes. Throughout the process my vision for the experience continued to change as I realised the limitations of the program and my amateur know-how.
+ I struggled a lot with creating a visual style that feels connected to my personal vision and is visually exciting. Being completely new to Unity it remains a dialogue to understand what is possible and allow that to inform the design process.
- I expected that colour, materiality and shapes (of the selected media and their presentation surface) will play a key role to create a haptic experience. But I initially underestimated the power of the digital 3D space e.g. the skybox to ground the viewer and give them a point of reference. - I ‚lost‘ a good deal of time with 3D collage experiments inside Unity, which I ultimately dropped.
- I got so busy with the execution inside Unity and acquiring basic technical know-how, that the comprehensible translation from research made on the topic, to the finished project ist not as in-depth and traceable as I‘d like it to be. (The focus on learning technical basics lead to intuitive approach in actualisation of research.) + Was able to adapt and learn on the go.
- The visual translation process should have been more methodic. Instead the media selection process was highly intuitive and could have lead to more unexpected connections by going more in-depth and searching for additional media beyond works I already knew.
- The finished experience has a specific focus on trying to visualise Ketamine as a felt experience, however, it includes no comment or draws focus to the multifaceted controversial aspects related to Ketamine use, which initially drew me to the subject.
- I didn‘t find a way to utilise the different ideas for typography and poem by Shannon May Powell I had.
Background info/ Subject Intro
„I am going to die in this dentist’s chair.
My eyes are closed, but I can still see skulls outlined with white against a black background. I have an epiphany: God is death. I’m in the midst of a real-life version of the hallucinogenic ride in Willy Wonka and the Chocolate Factory, all in my own mind. A monitor emits a steady beep, and for a second, I think I’m flatlining. But no: I’ve just completed my first infusion of ketamine."
- Excerpt from a first-person essay on Ketamine therapy by Alice Levitt for Vox (source: https://www.vox.com/first-person/2018/7/24/17603616/depression-treatment-severe-ketamine-special-k)
Ketamine is primarily used as an aesthetic but doctors had long been curious about the euphoric effects of Ketamine, because a lot of people who received it when undergoing surgery would start smiling and laughing. „That‘s the reason that many people before have said: 'Oh, maybe it can be used for depression'.“ - Alice Levitt for Vox
Scene 1
To translate the practice of the video essay into VR the careful selection of visual and audio material felt key to creating the experience. The challenge was taking existing 2D (art)works and adapting them to a complimentary 3D space.
During the process the necessity to create a black space became quickly apparent, because some of the found videos have the best effect when their outlines melt with a black backdrop, which allows the video content to appear as if floating in space. This creates a more immersive experience, which I exaggerated further in scene 1 by surrounding the viewer with video-planes from all sides.
Both inspired by and using actual footage from the anime ‚Mind Game‘ the scene opens in, what could be understood as, an ‚out-of-body‘ experience. The opening scene the VR visitor sees, is of a small figure, alone, in a vast black space, confused - Are you seeing yourself from outside your body? Then suddenly a screen appears, revealing that this figure is also inside a digital space.
The second featured artwork is Sarah Schönfeld‘s work ‚All You Can Feel‘, which shows photographs of liquified drugs and other neurotransmitters - including Ketamine - exposed on photonegatives. The work shows these substances as round molecules, or orbs/planets. Hereby, casting them in an unusually artistic light that focuses more on structures and colours as opposed to the bodily effect/high. In this way the video is both an introduction into the bio-chemical first phase of a Ketamine therapy, when the liquified drug is introduced to the body, but also my personal alternate view on a medical (& societal) topic.