First idea: Photography
At first, I decided to use photography as a medium to explore my experience with long distance relationships. I wanted to try and portray my feelings, attempts to stay in contact and the challenges that I faced while trying to keep in touch with my life in Montréal.
Staring at the envelopes
This photo shows all the envelopes I have collected from letters sent by friends and family neatly glued to a wall. I am in front of them observing them. The envelopes represent the people I left in Montreal. The relation one has with people changes when they are physically far from each other. Instead of taking part in their lives, living with them, seeing them, doing activities with them, you are forced to become much more passive. When you are away, you become more passive, observing people’s lives rather them being an integral part in them. You observe their lives through what they tell you in their letters, e-mails or phone calls. Likewise in this picture, I will be observing the envelopes, as if I was observing my friend’s lives, rather than be a part of the actual content of the letters.
Montreal vs Weimar
Deciding to live in another country for a year is also deciding to create a new life for a year. Upon arriving I have brought things from my old life, but with the passage of time I have also accumulated a lot of new things. This creates a duality within my small room between my “Montreal Stuff” and my “Weimar Stuff”. Thus, I want to create a picture that portrays this duality. I want to separate all my belongings between those that belong in Weimar and those who belong with Montréal. They are like a reflection of each other. There will always be a part of my Montréal life in Weimar and vice-versa. Both are separate, but they still interact with each other and influence one another. They have similarities and differences, that is what is represented in this picture. My two lives, connected, yet separated.