Idea
Separate sound streams from San Diego and Weimar: a collection of sounds or motifs that are being manipulated or improvised on (natural, mechanized... sounds) >> mixtures and or dialogue.
Movement within this (scenic?) installation is being tracked and controls the convergence / divergence of sounds creating new sonic structures (> convolution). Simutaenously controlling light, which guides through space, giving directions or hints on upcoming sonic events (rules and changes).
Light and sound play with expectations: creating tension in ambiguous virtual spaces between seeing and hearing, rather than visualizing / sonifying each other. Rules of dramatization / interaction change in time, shaped by the visitors actions.
Possible other elements: temperature (> light colors), corporeal hearing, scent (e.g. eucalyptus).
Participants
anybody feel welcome!
Links
- Maryanne Amacher: Headrhythm & Plaything > otoacoustic emissions.
- Jaroslaw Kapuscinski: works: seeing-hearing
- Georg Klein: TRASA warszawa-berlin
- Kaffe Matthews: Music for Bodies
- Randy H. Yau, Scott Arford: Infrasonics live in Paris
Literature
- Caclin, Anne et al.: Tactile "capture" of audition
- Hope, Cat: Silence As Stillness? Sonic Experiences in Art using Infrasonics
- Ouzounian, Gascia: Embodied Sound: Aural Architectures and the Body
- Schroeder, Franziska: Bodily Instruments and Instrumental Bodies: Critical Views on the Relation of Body and Instrument in Technologically Informed Performance Environments